Showing posts with label National Folk Festival. Show all posts
Showing posts with label National Folk Festival. Show all posts

Three More Performers Join Lineup for 76th National Folk Festival, Celebrating Its Second Year in North Carolina from September 9 – 11, 2016

"Greensboro, N.C., March 29, 2016 — Today the National Folk Festival announced three additional artists who will be performing in downtown Greensboro from September 9 – 11, 2016. The 76th National Folk Festival in 2016 marks the event’s second year of its three-year residency in Greensboro.

Last fall, the 75th National Folk Festival attracted more than 102,000 attendees to downtown Greensboro for the FREE, three-day weekend. Based on survey data, organizers expect attendance to grow substantially in 2016—by as much as 30% or more.

Approximately 300 artists—musicians, dancers, storytellers, and craftspeople—will take part in the National Folk Festival, with more than 30 different musical groups performing on as many as seven outdoor performance venues throughout downtown Greensboro. The three artists announced today include:

·      Jeffery Broussard & the Creole Cowboys – Zydeco: Standouts in the zydeco scene, this band delivers pack-the-floor renditions of Creole classics as well as their own rollicking brand of traditional zydeco. The group is led by accordionist and vocalist Jeffery Broussard, one of today’s most influential zydeco musicians.

·      Grupo Rebolú – Colombian: Playing the rich, rhythmic, and undeniably danceable music of Colombia’s Caribbean coast, Grupo Rebolú is the preeminent Afro-Colombian ensemble in the United States. People of African, Spanish, and indigenous descent have been intermixing for centuries along Colombia’s Caribbean coast, resulting in a rich blending of cultures. Reflecting this, Grupo Rebolú sings in Spanish, performs on a mix of indigenous, African, and modern instruments, and causes an irresistible urge to get up and dance.

·      Sahba Motallebi – Persian: Sahba Motallebi is a modern virtuoso of the tar and setar, lute-like stringed instruments central to Persian classical music, which became central to Iranian identity in the early 1900s. In post-revolutionary Iran, learning and performing traditional music was frowned upon—especially for girls—but Sahba and her sisters studied music as children in their hometown of Sari, a small seaside city in the north of Iran. Sahba was recognized as the Best Tar Player at the Iranian Music Festival for four straight years, beginning in 1995 when she was 16. She left Iran in 2003 to pursue graduate studies, and now lives in Los Angeles, which is home to a vibrant Iranian exile community.

These outstanding artists join the following performers, who have already been announced:

·      Balsam Range – Bluegrass
·      DJ Grandmaster Flash – Hip Hop
·      Leonardo Sandoval – Tap
·      Mariachi Los Camperos de Nati CanoMariachi
·      Nathalie – Portuguese Fado
·      The Quebe Sisters – Texas Fiddling & Western Swing
·      Super Chikan & the Fighting Cocks – Delta Blues
·      The Alt – Irish


To learn more about these artists, their traditions, and their stories, please visit nationalfolkfestival.com/performers. Throughout the spring and early summer, the National Folk Festival will feature individual artists on its Facebook page (Facebook.com/NationalFolkFestivalNC) and on social media:
·      #NCFolkFest
·      Twitter: @NtlFolkFestNC
·      Instagram: NationalFolkFestNC
·      YouTube: National Folk Festival NC
More performers will be announced as they are confirmed.


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About the 2016 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is celebrating the second year of its three-year residency in downtown Greensboro in 2016. The FREE, three-day event is America’s longest-running festival of traditional arts. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.
About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org


About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through its ArtsFund-supported grant programs, the 17DAYS Arts & Culture Festival, the Levitt AMP Greensboro Music Series, I HEART ARTS Month, and other opportunities including the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. artsgreensboro.org"

- A Press Release

National Folk Festival Announces Call for Artisans and Craftspeople to Participate in North Carolina Arts Marketplace, presented by PNC


Building on 2015 success, Marketplace will be expanded for
2016 Festival, in downtown Greensboro Sept. 9-11, 2016

To be considered by the Marketplace jury, prospective vendors’ applications must be received by April 11, 2016


"Greensboro, N.C., March 10, 2016 — Artisans and craftspeople who can provide a unique shopping experience for thousands of National Folk Festival attendees are invited to submit applications to participate in the North Carolina Arts Marketplace, presented by PNC, at the 2016 Festival. In 2015, the 75th National Folk Festival attracted more than 102,000 attendees to downtown Greensboro for the FREE, three-day weekend. Organizers expect attendance to increase by as much as 30% or more in 2016.

Based on the success of the North Carolina Arts Marketplace at the 2015 National Folk Festival, organizers plan to expand the marketplace in 2016.

In keeping with the National Folk Festival’s overarching focus on the traditional arts, culture, and heritage of North Carolinians and all Americans, the Arts Marketplace will feature the juried, handmade creations of the finest artists and craftspeople from the North Carolina region. Local Festival Director Amy Grossmann said, “The Arts Marketplace has two goals: 1) to provide our region’s most talented artists with an outlet to exhibit and sell their creations; and, 2) to provide festival-goers with an opportunity to take home truly unique, hand-crafted mementos.”

Online applications are preferred and must be submitted by 11:59 pm on Monday, April 11, 2016. Hard-copy applications will be accepted if postmarked by April 11, 2016. A panel comprised of North Carolina artists and arts leaders will evaluate all applications.

Applications and Marketplace Vendor Guidelines are available at nationalfolkfestival.com/marketplace. Application packages should include the completed application, four to six images of the work the vendor intends to sell, a booth image (if available), and a non-refundable $30 application fee.


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About the 2016 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is celebrating the second year of its three-year residency in downtown Greensboro in 2016. The FREE, three-day event is America’s longest-running festival of traditional arts. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.
About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org


About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through its ArtsFund-supported grant programs, the 17DAYS Arts & Culture Festival, the Levitt AMP Greensboro Music Series, I HEART ARTS Month, and other opportunities including the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. artsgreensboro.org"

- A Press Release

National Folk Festival Taps Music Industry Veteran to Build National Partnerships

Art Menius, a
co-founder of Folk Alliance International and the International Bluegrass Music Association (IBMA), led MerleFest’s marketing and media relations for 10 years

"Greensboro, N.C., February 24, 2016 — The National Folk Festival announced today that it has tapped North Carolinian Art Menius to assist in forging genre-specific relationships with media and other potential music-industry partners. The 76th National Folk Festival will take place in downtown Greensboro from September 9 – 11, 2016, when it will celebrate the second year of its three-year residency in Greensboro.

Menius, a graduate of UNC-Chapel Hill, has spent more than 30 years with various nonprofit arts and music organizations, including Appalshop in Whitesburg, Kentucky; The ArtsCenter in Carrboro, North Carolina; and MerleFest in Wilkesboro, North Carolina, where he served as Associate Festival Coordinator for 10 years. A co-founder of both Folk Alliance International and the International Bluegrass Music Association (IBMA), Menius is also a prolific writer and reviewer of American roots music.

“Art has incredible contacts and deep expertise across the music industry,” said Tom Philion, President and CEO of ArtsGreensboro, which is co-producing the National Folk Festival with the National Council for the Traditional Arts (NCTA) during its North Carolina residency. “It’s a real coup for the Festival to work with him on building music-industry partnerships at a national level.”

In 2015, the 75th National Folk Festival attracted more than 102,000 attendees to downtown Greensboro for a FREE, three-day weekend. Based on survey data, organizers expect attendance to grow substantially in 2016—by as much as 30% or more.

Approximately 300 artists—musicians, dancers, storytellers, and craftspeople—will take part in the National Folk Festival in 2016, with more than 30 different musical groups performing on as many as seven outdoor performance venues throughout downtown Greensboro. To date, nine artists—across a wide range of genres—have been announced for the 2016 Festival, including DJ Grandmaster Flash, Balsam Range, Clinton Fearon & the Boogie Brown Band, Leonardo Sandoval, Mariachi Los Camperos de Nati Cano, Nathalie, the Quebe Sisters, Super Chikan & the Fighting Cocks, and The Alt. More performers will be announced as they are confirmed.

###

About the 2016 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is celebrating the second year of its three-year residency in downtown Greensboro in 2016. The FREE, three-day event is America’s longest-running festival of traditional arts. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.
About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org

About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through its ArtsFund-supported grant programs, the 17DAYS Arts & Culture Festival, the Levitt AMP Greensboro Music Series, I HEART ARTS Month, and other opportunities including the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. artsgreensboro.org"

- A Press Release

Greensboro Police Offer Advice on How to Enjoy the National Folk Festival

"GREENSBORO, NC (Sept. 8, 2015) – The men and women of the Greensboro Police Department want everyone to enjoy the many activities offered by the National Folk Festival.

To contribute to a safe environment, additional Greensboro police will be on duty throughout the duration of the festival to ensure people have a pleasant experience. Officers will also be stationed at key roads and intersections to keep traffic flowing in an orderly manner.  Should an emergency or spontaneous occurrence arise, officers are trained to handle crisis situations and protect the people in the affected area.

The festival is expected to draw a large number of people to the area. Police want everyone to enjoy the variety of activities, and suggest the following tips when in crowds:

· Vehicle operators are reminded to be more alert and drive with caution in areas in which people congregate. Young children, especially, can be impulsive and inattentive to their surroundings. Motorists should expect the unexpected in these areas. Pedestrians have the right-of-way at intersections whether crosswalks are painted on the street or not. Vehicles must yield to people on foot.

·  Hide any valuables you leave in your car. Lock your vehicle and take the keys with you.

·  In an effort to ease traffic congestion, festival-goers may ride any Greensboro Transit Authority (GTA) bus along the route to downtown and be dropped off at The Depot, 236 E. Washington (at Church Street)—free of charge. Free transit service is also available to all transit users throughout the City during the Festival. For more information about transportations, – www.greensboro-nc.gov/FolkFestivalTransportation

· Pay attention to where you are and what is happening around you. When you arrive at your destination, take note of the officers protecting the area, their posts, and their uniforms. This will help you easily recognize them even under duress. Police stationed in public spaces are trained to help you in an emergency.

· Report suspicious behavior and or disruptive persons to the nearest police officer.

· Immediately locate exits in your parking area and event venue. Knowing exits other than the main exit may be especially helpful if you need to escape from a potentially dangerous situation

· Protect your cash and personal property. Avoid ATMs in crowded areas. Keep your wallet in a front pocket (preferably one with a zipper). If you use a purse, hold it close to your body where you can always see it.

· Parents of children of all ages are encouraged to know their children’s whereabouts and closely supervise them around crowds. Report a lost child immediately police. Officers have established a reunification tent on Church Street near Lindsay Street to reconnect families.


For more information about getting around during the festival, go to www.greensboro.gov/FolkFestivalTraffic"

- A Press Release

City Offers Tips on Avoiding Traffic During National Folk Festival

"GREENSBORO, NC (September 3, 2015) – Are you attending the National Folk Festival downtown Greensboro September 11-13? Want to park downtown, hop a free shuttle to the festivities or bike into the city? Visit www.greensboro-nc.gov/FolkFestivalTraffic to learn more about those options and more. The Web page also has links to the downtown street closure schedule and traffic flow diagram, as well as a full festival map.

Approximately 300 artists—musicians, dancers, puppeteers, storytellers, and craftspeople—will appear during the National Folk Festival, with at least 30 different individuals and groups performing on seven outdoor performance venues throughout downtown Greensboro. The three-day festival is free to the public.


Visit the National Folk Festival’s official website for updates and information on all performers."

- A Press Release

Laurelyn Dossett hosts a free evening of songs focused on social justice issues and performed by North Carolina’s preeminent singer/songwriters

"Greensboro, N.C., August 24, 2015 — ArtsGreensboro announced today that it will present a free concert, “Songs of Hope & Justice,” at 7 pm on Thursday, September 10, at The Railyard, 106 South Barnhardt Street in downtown Greensboro. Sponsored by O.Henry and Proximity Hotels, this will be the first event in ArtsGreensboro’s 2015 Fabric of Freedomseries.
Singer/songwriter Laurelyn Dossett of Greensboro will host the free concert, which will feature songs that shine a light on important social issues—past and present. Performances will include songs from the folk canon of Pete Seeger, Woody Guthrie, Odetta, and others as well as new and original songs underscoring today’s most pressing social challenges.
Dossett is well known for her own protest songs, including “Vote Against Amendment One” and “My Beloved Enemy,” and others on regional topics such as the Dan River coal ash spill and the loss of textile jobs. She has brought together an outstanding group of performers to celebrate the role of folk songs—specifically protest songs—in America. The performers include:
·      Rhiannon Giddens, of the Grammy-winning Carolina Chocolate Drops, regularly performs traditional folk songs. She also writes stunning protest songs focused on current issues, including “Cry No More,” which she wrote and recorded in response to the June 2015 shooting at “Mother Emanuel” AME Church in Charleston, South Carolina.
·      Bhi Bhiman, a topical, talented singer/songwriter who has toured and collaborated with Giddens, has garnered rave reviews from the New York Times, Washington Post, and NPR.
·      Alice Gerrard, a force in folk music for over 50 years, has spent her career singing traditional and original songs that tell the stories of everyday people, from coal miners to textile workers. A 2015 Grammy nominee for her latest album, Follow the Music, Alice is the founder of The Old-Time Herald, a publication dedicated to traditional music. 
·      Molly McGinn, founding member of Amelia's Mechanics, creator of the ground-breaking Postcards from the Swamp, and one of Greensboro’s favorite performers and songwriters, organized the Raise Your Voices campaign to bring out the Vote Against North Carolina’s Amendment One.
·      Django Haskins, founding member of Durham-based The Old Ceremony, received a 2015-2016 Artist Fellowship in Songwriting from the North Carolina Arts Council in recognition of “excellence and achievement” in his artform. In 2013, Django wrote, “We Are Not For Sale,” a protest song that he performed at a Moral Monday gathering in Raleigh.
·      Preston Lane, Artistic Director of Triad Stage will serve as Master of Ceremonies. Lane and Dossett have written five plays with music, all exploring the region's tradition of folk storytelling and song.
“This special concert is not about ‘showcasing’ artists,” said Dossett. “It’s about a community of artists coming together to shed light on and celebrate the role of songs in our collective social-justice history. There will be a variety of voices and styles, but a commonality of spirit and purpose.”
ArtsGreensboro President and CEO Tom Philion added, “This concert will be a truly historic event. The artists Laurelyn has gathered bring an incredibly deep understanding of the struggles for freedom and equality. ‘Songs of Hope & Justice’ will be a perfect introduction to the Fabric of Freedom themes that we’ll explore throughout the National Folk Festival and 17DAYS.”
Fabric of Freedom programming, funded by an Our Town grant from the National Endowment for the Arts with support from the AJ Fletcher Foundation and Lincoln Financial, will run throughout the National Folk Festival and 17DAYS. The Fabric of Freedom showcases Greensboro’s unique history as a haven in the quest for freedom and a catalyst for social change since colonial times. From the pacifist traditions of the city’s 18th-century Quaker founders (who nevertheless took up arms during the American Revolution) and the power of the Underground Railroad, through the birth of the sit-in movement and the Civil Rights era of the 1960s, and continuing into the present with the struggle among recent immigrants for standing and equality, the Fabric of Freedom tells Greensboro’s story.
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About Proximity Hotel, 2015 Hospitality Sponsor for the National Folk Festival: New-world moxie meets old-world hospitality at Proximity Hotel. Custom-designed furnishings, commissioned art, and innovative design fill every corner of the AAA Four Diamond Proximity Hotel, which was the first hotel in America to receive LEED Platinum certification from the U.S. Green Building Council. Enjoy fresh European flavors at Print Works Bistro with creekside dining, modern loft-like guestrooms, a social lobby with 22-foot high windows, the adjacent greenway, and an outdoor pool.  proximityhotel.com
About O.Henry Hotel, 2015 Hospitality Sponsor for the National Folk Festival: Let elegance and tranquility restore your spirit at O.Henry Hotel. Reminiscent of the grand hotels of an earlier era, the O.Henry Hotel is conveniently situated adjacent to popular Friendly Center shopping village and just two miles from downtown Greensboro. The social lobby overlooking the Cloister Garden is a lovely setting for afternoon tea, pre-dinner cocktails, or Jazz every Thursday and some Saturdays. Guests enjoy informally elegant dining and seasonal foods showcasing old-world European flavors at the adjacent Green Valley Grill. A AAA Four Diamond hotel, the O.Henry Hotel features original paintings and a complimentary Southern-style breakfast buffet. Enjoy gracious amenities and an attentive staff. ohenryhotel.com
About the 2015 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is beginning its three-year residency in downtown Greensboro this year, when it will celebrate its 75th anniversary from September 11 – 13, 2015. The FREE, three-day event is America’s longest-running festival of traditional arts; it will highlight both long-standing traditions and the heritage and culture of North Carolina’s newest immigrant groups, and set the stage for a continuing and permanent North Carolina Folk Festival, beginning in 2018, after the “National” moves on.

Belk is the presenting sponsor of the 2015 Festival. With downtown Greensboro as the backdrop, audiences will enjoy seven stages featuring continuous musical entertainment—from rockabilly to old-time to mariachi, and from funk to Cajun to jazz. Attendees will also be able to dance non-stop to a variety of musical genres at the dance pavilion; dine on regional and ethnic foods; experience folk art demonstrations and performances by N.C. artists; and share the fun of the Family Activities Area with their children. nationalfolkfestival.com
About 17DAYS
Entering its fifth year, 17DAYS, hosted by ArtsGreensboro, has become the state’s largest collaborative arts and culture festival, featuring more than 100 events, exhibitions, and performances produced by more than 70 organizations, artists, and venues. In 2014, over 100,000 people attended 17DAYS events. With the addition of the 75th National Folk Festival, which runs during 17DAYS’ opening weekend, September 11 through September 13, and is expected to draw up to 100,000 people, 17DAYS is poised to have its biggest year ever. The 2015 festival will take place from September 11 through September 27. 17DAYSGreensboro.org
About ArtsGreensboro


With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through the 17DAYS Arts & Culture Festival, I HEART ARTS Month, power2give, and other opportunities including the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. artsgreensboro.org"

- A Press Release

The National Folk Festival Announces Complete 75th-Anniversary Lineup

Representing a myriad of cultural traditions, 20 more performers—including Mavis Staples—will be showcased on seven outdoor stages during the National Folk Festival Sept. 11 – 13, 2015

"Greensboro, N.C., August 11, 2015  — The National Folk Festival today announced that it has added another group of traditional artists to the 2015 schedule. For its 75th anniversary, the National Folk Festival will feature 300 artists on seven stages in downtown Greensboro from September 11 – 13, 2015. The three-day Festival is FREE to the public. 

“The festival is such an embarrassment of riches,” said Julia Olin, Executive Director of the National Council for the Traditional Arts (NCTA), which is co-producing the Festival with ArtsGreensboro. “It really does offer something for everyone. If what you see on one stage is not to your taste, you can just move to another and experience something entirely different.”

More than 40 people of different backgrounds—and with a deep knowledge of traditional music and art forms—came together from across North Carolina to serve as the local Festival Programming Advisory Committee. “The local Programming Advisory Committee provided deep insights into the Triad and North Carolina cultural communities,” Olin continued. “Their thoughtful input was an invaluable addition to the Festival programming process.”

Tom Philion, President and CEO of ArtsGreensboro, said, “Nearly half of the artists we’re announcing today are from North Carolina. They will shine a bright light on the cultural richness of our state and give audiences a sense of North Carolina’s strong cultural heritage. We look forward to National Folk Festival audiences exploring all 40 performers’ unique musical, artistic, and cultural traditions as the Festival celebrates its 75th anniversary in Greensboro—its first time ever in North Carolina.”

Philion added, “The National Folk Festival is a statewide celebration of North Carolina and American heritage. And—because of the passion and commitment of our sponsors and partners, including the City of Greensboro and local and statewide foundations—the Festival is taking place in Greensboro.”

Approximately 300 artists—musicians, dancers, puppeteers, storytellers, potters, and craftspeople—will appear during the 75th National Folk Festival, with 40 different groups performing on seven outdoor stages throughout downtown Greensboro.

Artists announced today include:

·      Bobby Hicks ­– bluegrass fiddle: Both a fiddle innovator and a traditionalist, Bobby added a fifth string to his fiddle, creating a stylish sound filled with double-stop harmonies. A 10-time Grammy® winner, he received the North Carolina Heritage Award in 2014.
·      The Branchettes –  African American congregational hymn singing: In various configurations, The Branchettes have been performing for more than 30 years, bringing their old-time hymn-singing with piano accompaniment to audiences and congregations across N.C. and around the world.
·      The Buckstankle Boys ­– old-time and bluegrass: Schooled in the traditional music of the Blue Ridge Mountains, the Buckstankle Boys also understand the need to keep their musical heritage contemporary. They brilliantly carry the torch of both old-time and bluegrass music.
·      Derek McAlister ­– circus arts: A “street” performer in the truest sense, Derek draws on a deep bag of tricks that includes clowning, mime, dance, juggling, and Chinese pole acrobatics—plus a lot of laughter—to delight audiences of all ages.
·      Down HomeAmericana, blues, country, and Southern rock: Winners of Belk’s Southern Musician Showcase in 2014, Down Home captivates audiences with their “energetic, infectious blues, alternative country, folk rock, and American hybrid sound that can best be described as ‘American Rock.’”
·      Grace ChangChinese guzheng: Also known as the Chinese zither, the guzheng is a plucked instrument with 13 to 25 strings that originated in China over 2,500 years ago. Grace is an expert performer with the ability to bring forth the sounds of flowers blossoming or typhoons raging.
·      The Harris Brothers Appalachian blues: Listeners often ask, “How can two people put out such a big sound?” With Reggie on guitar, Ryan on bass, and a kick-drum made from an old suitcase, the Harris Brothers draw on Appalachian bluegrass, old-time, and blues as well as country, jazz, and rock.
·      Hector Del Curto’s Tango QuartetArgentine tango: A virtuoso player of the bandonéon, an accordion that is the driving force in tango orchestras, Del Curto masterfully leads his quartet and dancers through the intricacies of tango.
·      James Kelly & Donna Long – Irish fiddle and piano: One of the finest traditional Irish fiddlers of our time, James will be joined on stage by Donna, one of the most accomplished pianists in Irish music; currently, they are recording their first album together.
·      Jeff Little Trio ­– Blue Ridge piano trio: While the piano does not figure prominently in Appalachian music, Jeff Little is an exception. His two-handed style, much influenced by mountain flatpicked guitar tradition, is breathtaking in its speed, precision, and clarity.
·      John Dee Holeman with Williette HintonPiedmont blues: Now 86, Holeman has been singing and picking guitar since he was 14; he was named a National Heritage Fellow in 1988 and received a N.C. Heritage Award in 1994. Holeman will be accompanied by accomplished buck dancer Hinton.
·      Lutchinha ­– Cape Verdean: Coastal New England is home to large communities of Cape Verdeans, including Lutchinha, arguably the finest Cape Verdean singer in the U.S. With its blend of African and Portugese influences, Cape Verdean music is truly unique.
·      Mavis Staples­ – gospel, soul, R&B: One of the greatest gospel singers of all time, Mavis Staples powered one of American’s great family bands, The Staple Singers. From the traditional gospel music of the 1950s to 1960s’ protest songs, and from the self-empowerment anthems of the 1970s to the soulful love tunes of more recent decades, Mavis and her family created some of the most inspirational music of the past 50 years.
·      The MonitorsEastern N.C. R&B, soul, jazz, and gospel: This quintessential African American entertainment band has been delivering powerful soul, R&B, jazz, and gospel for nearly 60 years. They have collaborated with symphony orchestras, and opened for Ray Charles and their own former lead singer Roberta Flack. Founding member Bill Myers, who is still with the band, received a North Carolina Heritage Award in 2014.
·      Pedrito Martinez GroupAfro-Cuban: Percussionist and vocalist Martinez wraps genres from jazz to funk and beyond into his band’s repertoire, and infuses everything the group does with the most fundamental elements of Afro-Cuban music: Yoruba chanting and the sacred beat of the batá drum. The band’s 2013 self-titled CD earned a Grammy® nomination for Best Latin Jazz Album.
·      Phil Wiggins ­– blues harmonica: Arguably America’s foremost blues harmonica virtuoso, and a master of the unique blues traditions of the Piedmont, Phil achieved worldwide acclaim as one half of the blues duo of Cephas & Wiggins. Since John Cephas’ death in 2009, Phil has brought his harmonica wizardry to a host of musical collaborations.
·      Todd Family Dancers ­– Appalachian clogging and flatfoot dance: Accomplished flatfoot and clogging dancers, Marsha and Marty Todd carry on a long tradition of traditional step dancing, comprising many styles and influences from throughout the Appalachian region.
·      Trouble Funkgo-go: While often overlooked nationally, go-go—a homegrown genre from Washington, D.C., that bridged the gap between disco and rap—is hot. One of the leading bands during go-go’s golden era of the 1980s, Trouble Funk helped spread the music from all-night dance parties in D.C. to audiences worldwide, and has presided over legendary parties up and down the East Coast for 37 years.
·      The Welch FamilyCherokee gospel: Singing gospel songs in English and Cherokee, The Welch Family carries on a 200-year-old tradition of Christian music among the Eastern Band of Cherokee Indians. Faith and heritage come together through their bilingual songs to celebrate the Cherokee language and honor the experiences of their ancestors and community.
·      Warriors of AniKituhwaCherokee ceremonial dance: The official cultural ambassadors of the Eastern Band of Cherokee Indians, the Warriors of AniKituhwa present centuries-old dances, stories, history, and traditional regalia that date back to the 1700s, a time of Cherokee strength and international diplomacy. The group performs with their bodies painted red, as their ancestors did, and often invite members of the audience to participate in the Friendship Dance at the end of performances.
·      Wayne Henderson ­– Appalachian finger-picked guitar: Wayne is that Appalachian guitarist: the one who lives in a very remote area of the Blue Ridge and makes acoustic guitars—guitars that are almost impossible to get. Using a thumb pick and fingerpicks to achieve amazing speed and fluidity, Henderson transforms fiddle and banjo pieces—and even the occasional jazz standard—into stunning guitar solos.

These performers join the artists announced earlier:

·      AurelioGarifuna: Aurelio Martinez is a musical ambassador and champion of the Garifuna, a culturally threatened African Amerindian ethnic minority living primarily along the Caribbean coasts of Belize and Honduras.
·      Babá Ken Okulolo & the West African Highlife Bandhighlife: Acclaimed Nigerian bassist Babá Ken and his all stars deliver the irresistibly danceable sounds of classic highlife.
·      Dale Watsonhonky-tonk & country: A true son of the Texas musical outlaw tradition, Watson is king of uncompromising deep country.
·      The Dardanellestraditional music of Newfoundland: Young keepers of jigs, reels, and seafaring ballads, this group performs with the energy of a punk band.
·      Frank London’s Klezmer Brass Allstarsklezmer: Led by trumpeter Frank London, the Allstars set out to capture the sound and ethos of the raucous, earthy old-country klezmorim of the 19th century.
·      Grand Master Seiichi Tanaka & the San Francisco Taiko DokoJapanese taiko drumming: Seiichi Tanaka is the only U.S. Grand Master of taiko, the ancient Japanese form of ritual drumming that combines percussive sound with physically demanding choreographic movement.
·      Henry Butler & Jambalaya ­– New Orleans piano professor: Versatile and gifted, this brilliant pianist’s mastery of jazz, funk, Caribbean, classical, R&B, blues, and stride piano styles is unrivaled.
·      Joe Mullins & the Radio Ramblers bluegrass: A masterful Scruggs-style banjo picker and gifted singer known for his soaring high tenor, Joe Mullins leads a top-notch band.
·      Lloyd Arneach Cherokee storyteller: A member of the Eastern Band of Cherokee, Arneach tells humorous, informative, and moving stories that appeal to all ages.
·      Los Tres Reyestrío romántico: The gorgeous harmonies and dazzling guitar work of a beloved Latin style are honed to perfection by this celebrated trio.
·      Maggie Ingram & the Ingramettes  – gospel: One of Virginia’s premier gospel ensembles, this group’s commanding, spirit-filled performances demonstrate the extraordinary depth of talent in American gospel.
·      Marquise Knoxblues: Channeling the power of old-school masters, this prodigiously talented 24-year-old is the future of the blues.
·      Mythili Prakash Dance EnsembleBharata Natyam: A rising international star, this young Indian American dancer is a master of a 3,000-year-old South Indian tradition.
·      Pine Leaf BoysCajun: Bringing a high-energy sound to dance halls in French Louisiana, the Pine Leaf Boys have updated the fiddle-and-accordion-driven sounds of Cajun music for a new generation.
·      Rahim AlHajIraqi oud: In 1991, Rahim made a harrowing escape from Baghdad and Saddam Hussein following the Persian Gulf War. A 5,000-year old tradition is now alive and well in Albuquerque, New Mexico.
·      Rhiannon GiddensAfrican American string band, gospel, and balladry: An untiring explorer of—and advocate for—traditional music, Rhiannon returns to her hometown of Greensboro to celebrate the 75th National Folk Festival.
·      Sheila Kay AdamsAppalachian songs, stories, and ballads: This North Carolina treasure is the seventh generation of her family to carry on an unbroken, 350-year-old singing tradition.
·      Thomas Maupin, Daniel Rothwell & Overall Creek with Kory PoseyAppalachian buck dance and old-time music: Seventy-seven-year-old Thomas Maupin is the most renowned Tennessee buck dancer of his generation. He is the subject of the documentary Let Your Feet Do the Talkin’.
·      Yuqin Wang & Zhengli XuChinese rod puppetry: Masters of an ancient tradition with strikingly lifelike puppets that have fascinated audiences for millennia.


Visit NationalFolkFestival.com for more information on all Festival performers and other Festival information."

- A Press Release

City Offers Free Bus Service to National Folk Festival September 11-13

"GREENSBORO, NC (August 10, 2015) – The City of Greensboro is offering free bus service along all routes during the National Folk Festival in downtown Greensboro from September 11-13. Festival goers can hop on any Greensboro Transit Authority (GTA) bus along the route to downtown and be dropped off, free of charge, right in the middle of the festival. Free transit service is also available to all transit users throughout the City during the festival.

“We hope people will take advantage of free public transportation to get to and from the National Folk Festival,” says Greensboro Department of Transportation Director Adam Fischer. “This is an effort to reduce traffic congestion and ease parking issues in the downtown area throughout the Festival. We also hope residents will see how easy public transit is to use and be more inclined to use it in the future.” 

Three of the City’s four parking decks, located in the central business district, will be open throughout the Festival for a flat rate of $10. The Church Street deck will be reserved for official festival use. “The decks, located on Davie, Greene, and Bellemeade streets, offer up to 2,300 parking spaces and will likely fill up quickly each day,” adds Fischer. “The limited parking capacity at the downtown decks makes the free bus rides to the National Folk Festival, which is also free, all the more attractive.”

Plan your bus trip using Google Transit or review the various routes at www.greensboro-nc.gov/BusRoutes. Find the locations of the parking decks at www.greensboro-nc.gov/ParkingDecks.
Approximately 300 artists—musicians, dancers, puppeteers, storytellers, and craftspeople—will appear during the National Folk Festival, with at least 30 different individuals and groups performing on seven outdoor performance venues throughout downtown Greensboro. The three-day Festival is free to the public.


More than 20 National Folk Festival performers have been announced to date, with further announcements scheduled throughout the summer. Visit NationalFolkFestival.com for updates and information on all performers."

- A Press Release

Blue Cross and Blue Shield of North Carolina to Sponsor Stage at National Folk Festival

One of seven outdoor performance venues,
the Lawn Stage will host daytime performances

Greensboro, N.C., July 22, 2015  — The National Folk Festival announced today that Blue Cross and Blue Shield of North Carolina (BCBSNC) will sponsor the Lawn Stage at the 2015 Festival, which will feature 300 artists on seven stages over three days in downtown Greensboro from September 11 – 13, 2015. The three-day Festival is FREE to the public.

The Lawn Stage is an intimate venue that will allow audience members to sit on the grass behind Elon Law School on Commerce Place at Bellemeade Street. Festivalgoers can enjoy a variety of artists on this stage over the weekend from noon to 6 pm on September 12 and September 13.

“We are thrilled to announce that Blue Cross and Blue Shield of North Carolina is channeling its passion for the citizens of our state by championing the 2015 National Folk Festival,” said ArtsGreensboro President and CEO Tom Philion. “By investing in the Lawn Stage, BCBSNC will provide an opportunity for thousands of audience members to enjoy performances by many of our nation’s most respected traditional artists.”

“Folk music is an expression of the rich history and culture in our state,” said Kathy Higgins, vice president of corporate affairs at Blue Cross and Blue Shield of North Carolina. “The National Folk Festival is an opportunity for North Carolina to host people from around the country so they can gather and enjoy music traditions that have been passed down for generations in our own communities.”

Approximately 300 artists—musicians, dancers, puppeteers, storytellers, and craftspeople—will appear during the National Folk Festival, with at least 30 different individuals and groups performing on the Lawn Stage and six other outdoor performance venues throughout downtown Greensboro.
More than 20 National Folk Festival performers have been announced to date, with further announcements scheduled throughout the summer. Visit NationalFolkFestival.com for updates and information on all performers.

###

About Blue Cross and Blue Shield of North Carolina: Blue Cross and Blue Shield of North Carolina improves the health and well-being of our customers and communities by providing innovative health care products, services and information to more than 3.91 million members, including approximately 1 million served on behalf of other Blue Plans. Since 1933, we have worked to make North Carolina a better place to live through our support of community organizations, programs and events that promote good health. We have been recognized as one of the World’s Most Ethical Companies by Ethisphere Institute every year since 2012. Blue Cross and Blue Shield of North Carolina is an independent licensee of the Blue Cross and Blue Shield Association. Visit BCBSNC online at bcbsnc.com. All other marks are the property of their respective owners.
About the 2015 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is beginning its three-year residency in downtown Greensboro this year, when it will celebrate its 75th anniversary from September 11 – 13, 2015. The FREE, three-day event is America’s longest-running festival of traditional arts; it will highlight both long-standing traditions and the heritage and culture of North Carolina’s newest immigrant groups, and set the stage for a continuing and permanent North Carolina Folk Festival, beginning in 2018, after the “National” moves on.

Belk is the presenting sponsor of the 2015 Festival. With downtown Greensboro as the backdrop, audiences will enjoy seven stages featuring continuous musical entertainment—from rockabilly to old-time to mariachi, and from funk to Cajun to jazz. Attendees will also be able to dance non-stop to a variety of musical genres at the dance pavilion; dine on regional and ethnic foods; experience folk art demonstrations and performances by N.C. artists; and share the fun of the Family Activities Area with their children. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. It was also the first to present to the public musical forms such as the blues, Cajun music, polka bands, Tex-Mex conjunto, Peking Opera, and many others. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.

About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org


About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through the 17DAYS Arts & Culture Festival, I HEART ARTS Month, power2give, and other initiatives such as the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. www.artsgreensboro.org"

- A Press Release

Natty Greene’s Brewing Co. and Foothills Brewing Company Create Innovative Partnership to Sponsor National Folk Festival

Craft Beer Sponsors will provide all beer sold at the
Sept. 11-13 Festival in downtown Greensboro

"Greensboro, N.C., July 14, 2015 — The National Folk Festival announced today that Natty Greene’s Brewing Co. and Foothills Brewing Company are joining forces to serve as the Craft Beer Sponsors for the 2015 Festival, which will feature 300 artists on seven stages over three days in downtown Greensboro. The Festival is FREE to the public and will run from September 11 – 13, 2015.

The breweries will provide all beer sold at the Festival. Attendees may purchase Natty Greene’s and Foothills beer at several locations across the Festival site, which will extend approximately a half-mile in all directions from Center City Park.

Making the announcement today at Natty Greene’s Pub in Greensboro were Jamie Bartholomaus, CEO – Foothills Brewing Company; Carlee Dempsey, Marketing Director – Natty Greene’s Brewing Co.; Florence Gatten, Board Chair – ArtsGreensboro; Tom Philion, President and CEO – ArtsGreensboro; and Greensboro Mayor Nancy Vaughan.

“We’re so excited that two of the state’s top craft brewers have come together to support the National Folk Festival in this way,” said Philion. “With this investment, Natty Greene’s and Foothills are providing an opportunity for thousands of festival-goers to experience a new North Carolina tradition—fine craft beer.”

“When Natty Greene’s learned the scope of the National Folk Festival, we decided it would be a perfect opportunity for us to partner with another great N.C. brewery for the event,” said Carlee Dempsey. “Foothills—with its prominent position in the North Carolina craft beer industry—is the perfect partner.”

“We're thrilled to forge a partnership with our friends over at Natty Greene's to provide a great craft beer experience for the thousands of beer lovers who will attend the National Folk Festival,” said Jamie Bartholomaus. “This is a great opportunity for Foothills and Natty’s to continue making the Triad one of North Carolina's best music and craft beer destinations."

Co-produced by ArtsGreensboro and the National Council for the Traditional Arts (NCTA), the National Folk Festival is beginning its three-year residency in downtown Greensboro this year, when it will celebrate its 75th anniversary from September 11 – 13, 2015. The three-day Festival is FREE to the public, and will feature over 300 artists on seven stages throughout downtown.

More than 20 National Folk Festival performing groups  have been announced to date, with further announcements scheduled throughout the summer. Visit NationalFolkFestival.com for updates and information on all performers.

###

About Natty Greene’s Brewing Co.: Natty Greene’s Brewing Co. opened in 2004 in Greensboro, N.C., with a seven-barrel brewing system in the heart of downtown. In 2007, Natty Greene’s opened a production facility on West Gate City Blvd. The production facility houses a 20-barrel brewing system and allows Natty Greene’s to package product that is distributed from Washington, D.C., to Savannah. With a passion for Southern traditions, Natty Greene’s brews seasonal-style ales that are best enjoyed when taking the time to do and enjoy the things you love. The company’s flagships are Buckshot Amber Ale and Southern Pale Ale. Through Natty Greene’s brewhouse and tasting room, it is also able to offer a wide arrange of limited batch releases and sour beers. Taste the South. www.nattygreenes.com

About Foothills Brewing Company: Opening in March 2005 in Winston-Salem, N.C., Foothills Brewing has evolved into one of the top craft brewing operations in the southeast United States. Ranked among ratebeer.com’s 100 best breweries in the world, Foothills has garnered numerous awards for its beers, including seven Great American Beer Festival medals and three World Cup Beer medals, more than any other North Carolina-based brewery. Foothills brews more than 20 year-round and seasonal offerings, including best -ellers Hoppyum IPA and Carolina Blonde. Year-round brands also include People’s Porter and Torch Pilsner; seasonals include Cottonwood Pumpkin and the highly anticipated Sexual Chocolate Imperial Stout. In January 2011, Foothills acquired the Carolina and Cottonwood beer brands, adding to an already extensive portfolio of beer styles. In December 2011 Foothills expanded its brewing operations from its popular brewpub in downtown Winston-Salem to a 48,000 square-foot facility in southwest Winston-Salem, allowing for increased development of six-pack and 22-oz. bottle production. 2013-14 saw the addition of four 200 BBL and four 300 BBL fermenting tanks, increasing potential brewing capacity to approximately 52,000 barrels annually. In April 2015, Foothills opened a 28-tap tasting room at its main production facility. Foothills, Cottonwood and Carolina brands are distributed by a network of top-level distributors in North Carolina, South Carolina, Tennessee, Virginia, and Washington, D.C. foothillsbrewing.com.

 About the 2015 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is beginning its three-year residency in downtown Greensboro this year, when it will celebrate its 75th anniversary from September 11 – 13, 2015. The FREE, three-day event is America’s longest-running festival of traditional arts; it will highlight both long-standing traditions and the heritage and culture of North Carolina’s newest immigrant groups, and set the stage for a continuing and permanent North Carolina Folk Festival, beginning in 2018, after the “National” moves on.

Belk is the presenting sponsor of the 2015 Festival. With downtown Greensboro as the backdrop, audiences will enjoy seven stages featuring continuous musical entertainment—from rockabilly to old-time to mariachi, and from funk to Cajun to jazz. Attendees will also be able to dance non-stop to a variety of musical genres at the dance pavilion; dine on regional and ethnic foods; experience folk art demonstrations and performances by N.C. artists; and share the fun of the Family Activities Area with their children. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. It was also the first to present to the public musical forms such as the blues, Cajun music, polka bands, Tex-Mex conjunto, Peking Opera, and many others. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.
About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org


About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through the 17DAYS Arts & Culture Festival, I HEART ARTS Month, power2give, and other initiatives such as the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. www.artsgreensboro.org"

- A Press Release

The National Folk Festival Adds More Performers to Its 75th-Anniversary Lineup


Eleven more outstanding performers—including Greensboro native Rhiannon Giddens—add to the array of cultural traditions that will be showcased on seven outdoor stages during the National Folk Festival, coming to downtown Greensboro from September 11 – 13, 2015

Greensboro, N.C., June 24, 2015  — The National Folk Festival today announced that it has added another group of traditional artists to the 2015 schedule. For its 75th anniversary, the Festival will feature 300 artists on seven stages in downtown Greensboro from September 11 – 13, 2015. The three-day Festival is FREE to the public. 

“The richness and variety of American culture never ceases to amaze. The National Folk Festival brings together all of these astonishing artists—who represent so many different facets of our nation’s cultural landscape—in one place. Each one of them is a national treasure. And there’s more to come. It’s going to be a very special 75th anniversary year,” said Julia Olin, Executive Director of the National Council for the Traditional Arts (NCTA), which is co-producing the Festival with ArtsGreensboro.

More than 40 people of different backgrounds—and with a deep knowledge of traditional music and art forms—came together from across North Carolina to serve as the local Festival Programming Advisory Committee. “The local Programming Advisory Committee gave us great insights into the Triad and North Carolina cultural communities,” Olin continued. “Their thoughtful input was an invaluable addition to the Festival programming process.”

Tom Philion, President and CEO of ArtsGreensboro, said, “This second group of performers further highlights how diverse and exciting the Festival’s programming will be. We’re thrilled that these artists, who are the true keepers of their unique musical, artistic, and cultural traditions, will be celebrating the National Folk Festival’s 75th anniversary in Greensboro—the Festival’s first time ever in North Carolina.”

“The Festival is free to the public, thanks to the support of sponsors, foundations, the City of Greensboro, and so many others who are helping to make this one of the largest events of its kind in North Carolina,” Philion added.

Approximately 300 artists—musicians, dancers, puppeteers, storytellers, potters, and craftspeople—will appear during the 75th National Folk Festival, with at least 30 different groups performing on seven outdoor stages throughout downtown Greensboro.

Newly announced artists include:

·      AurelioGarifuna: Aurelio Martinez is a musical ambassador and champion of the Garifuna, a culturally threatened African Amerindian ethnic minority living primarily along the Caribbean coasts of Belize and Honduras, but also Guatemala and Nicaragua. He grew up immersed in Garifuna rhythms, rituals, and songs. With his powerfully evocative vocals and his talent as a composer, guitarist, and percussionist, Aurelio is a central figure in the perpetuation and innovation of this unique musical tradition.

·      Frank London’s Klezmer Brass Allstarsklezmer: Led by trumpeter Frank London, the Klezmer Brass Allstars include members of the world’s leading klezmer bands. Combining their knowledge, talents, and decades of research into the traditional roots of klezmer, the Allstars set out to capture the sound and ethos of the raucous, earthy old-country klezmorim of the 19th century. Frank and the Allstars deliver performances described by one critic as “a frenzied eruption of klezmer … like a street party to which everyone’s invited, it quickly gets hot, sweaty, and dizzyingly intense.”

·      Grand Master Seiichi Tanaka & the San Francisco Taiko DokoJapanese taiko drumming: Seiichi Tanaka is a Grand Master of the ancient Japanese form of ritual drumming known as taiko that combines percussive sound with physically demanding choreographic movement. Originating 1,400 to 2,000 years ago, taiko drums were probably first used as a military device, then later incorporated into agricultural rituals. After World War II, taiko drumming evolved into a more complex musical form, employing a variety of different-sized drums in dramatic ritual performance. Seiichi Tanaka, the only Grand Master in the United States, is a central figure in the evolution of modern taiko, as well as the establishment and development of the taiko movement in North America.

·      Henry Butler & Jambalaya ­– New Orleans piano professor: Henry Butler is the Crescent City’s reigning keyboard king. Versatile and gifted, this brilliant pianist’s mastery of jazz, funk, Caribbean, classical, R&B, blues, and stride piano styles is unrivaled. His music is an amalgam of influences, as exciting and eclectic as his birthplace. Critics rave about this virtuoso pianist who mixes soul with brains. As Dr. John says, Henry is “the pride of New Orleans and a visionistical down-home cat and hellified piano plunker to boot."

·      Joe Mullins & the Radio Ramblers bluegrass: Joe Mullins has built a life on “banjo picking and broadcasting”; that’s why the bluegrass band he leads is called the Radio Ramblers. Carrying the family torch lit by his highly respected father, Paul “Moon” Mullins, Joe is a driving force in the world of bluegrass. Over the past three decades, he has devoted his life both to bluegrass performance and to disseminating great bluegrass, gospel, and country music over the radio. A masterful Scruggs-style banjo picker and gifted singer known for his soaring high tenor, he leads a top-notch band that can do it all, delivering impeccable instrumentals and superb harmony singing with equal ease.

·      Lloyd Arneach Cherokee storyteller: “There is a great power and wisdom in the old stories,” says master storyteller Lloyd Arneach. A member of the Eastern Band of Cherokee, Arneach learned the old stories told by two of his uncles while he was growing up. It wasn’t until later, after a career of teaching about his traditional culture, as well as a stint working for AT&T, that he took up storytelling full time. Lloyd’s humorous, informative, and moving stories will engage festival audiences of all ages.

·      Maggie Ingram & the Ingramettes  – gospel: For more than five decades, Maggie Ingram & the Ingramettes, one of Virginia’s premier gospel ensembles, has brought its music and ministry to congregations in the Tidewater and Piedmont. It’s always been a family affair for Evangelist Ingram—three generations are now represented in the group, including daughter Reverend Almeta Ingram-Miller, and granddaughter Cheryl Maroney-Beaver. Their commanding, spirit-filled performances demonstrate the extraordinary depth of talent in American gospel.

·      Pine Leaf BoysCajun: The Pine Leaf Boys are at the forefront of several young Cajun bands that have breathed new life into the music, bringing a high-energy sound to dance halls in French Louisiana. Playing “with an unabashed rock ’n’ roll energy conducive to the elbow-flying, hip-swiveling spirit on the dance floor” (Geoffrey Himes, New York Times), the group has updated the fiddle-and-accordion-driven sounds of Cajun music for a new generation, while maintaining their Cajun musical legacy. While the band has a passion for reviving and revitalizing forgotten Cajun classics, digging for songs “buried under a rock for decades,” the Pine Leaf Boys also remind listeners that Cajun music is not frozen in time.

·      Rahim AlHajIraqi oud: A 5,000-year-old musical tradition from the heart of Mesopotamia is alive and well in Albuquerque, New Mexico. That’s where renowned Iraqi oud virtuoso Rahim AlHaj—who, in 1991, made a harrowing escape from Baghdad and Saddam Hussein following the Persian Gulf War—lives. Sharing his thoughtful and expressive compositions and masterful improvisations with audiences across America and the globe, AlHaj is a cultural ambassador for the deep musical heritage of his homeland. His music evokes the experience of exile and of new beginnings in his adopted country.

·      Rhiannon GiddensAfrican American string band, gospel, and balladry: To the delight of her many friends and fans, singer and multi-instrumentalist Rhiannon Giddens will be returning to her hometown of Greensboro to celebrate the 75th National Folk Festival. An untiring explorer of—and advocate for—traditional music, Giddens is best known as the frontwoman of African American string band the Carolina Chocolate Drops, whose 2010 album Genuine Negro Jig earned the group a Grammy® for Best Traditional Folk Album.

·      Thomas Maupin, Daniel Rothwell & Overall Creek with Kory PoseyAppalachian buck dance and old-time music: Seventy-seven-year-old Thomas Maupin is the most renowned Tennessee buck dancer of his generation. He grew up on a farm in Eagleville, Tennessee, with nine brothers and sisters. All of them were self-taught buck dancers. It wasn’t until the 1970s that Maupin began to enter dance competitions; since then, he has won 60 titles, including the National Old-time Buck Dancing Championship six times. Maupin is a recipient of a 2011 Tennessee Folklife Heritage Award, and is the subject of the documentary Let Your Feet Do the Talkin’.

These artists join the first group of artists announced in May:

·      Dale Watsonhonky-tonk & country: A true son of the Texas musical outlaw tradition, Watson is king of uncompromising deep country.
·      Marquise Knoxblues: Channeling the power of old-school masters, this prodigiously talented 24-year-old is the future of the blues.
·      Los Tres Reyestrío romántico: The gorgeous harmonies and dazzling guitar work of a beloved Latin style are honed to perfection by this celebrated trio.
·      Mythili Prakash Dance EnsembleBharata Natyam: A rising international star, this young Indian American dancer is a master of a 3,000-year-old South Indian tradition.
·      The Dardanellestraditional music of Newfoundland: Young keepers of jigs, reels, and seafaring ballads, this group performs with the energy of a punk band.
·      Sheila Kay AdamsAppalachian songs, stories, and ballads: This North Carolina treasure is the seventh generation of her family to carry on an unbroken, 350-year-old singing tradition.
·      Babá Ken Okulolo & the West African Highlife Bandhighlife: Acclaimed Nigerian bassist Babá Ken and his all stars deliver the irresistibly danceable sounds of classic highlife.
·      Yuqin Wang & Zhengli XuChinese rod puppetry: Masters of an ancient tradition with strikingly lifelike puppets that have fascinated audiences for millennia.

More performers will be announced over the next month. Visit the NationalFolkFestival.com website often for updates and information on all the performers.

###



About the 2015 National Folk Festival: Co-produced by the National Council for the Traditional Arts (NCTA) and ArtsGreensboro, the National Folk Festival is beginning its three-year residency in downtown Greensboro this year, when it will celebrate its 75th anniversary from September 11 – 13, 2015. The FREE, three-day event is America’s longest-running festival of traditional arts; it will highlight both long-standing traditions and the heritage and culture of North Carolina’s newest immigrant groups, and set the stage for a continuing and permanent North Carolina Folk Festival, beginning in 2018, after the “National” moves on.

Belk is the presenting sponsor of the 2015 Festival. With downtown Greensboro as the backdrop, audiences will enjoy seven stages featuring continuous musical entertainment—from rockabilly to old-time to mariachi, and from funk to Cajun to jazz. Attendees will also be able to dance non-stop to a variety of musical genres at the dance pavilion; dine on regional and ethnic foods; experience folk art demonstrations and performances by N.C. artists; and share the fun of the Family Activities Area with their children. nationalfolkfestival.com

About the National Folk Festival: Since it was first presented in St. Louis in 1934, the National Folk Festival has celebrated the roots, richness, and variety of American culture. Championed in its early years by Eleanor Roosevelt, it was the first event of national stature to present the arts of many nations, races, and languages on equal footing. It was also the first to present to the public musical forms such as the blues, Cajun music, polka bands, Tex-Mex conjunto, Peking Opera, and many others. An exuberant traveling festival that embraces the diverse cultural expressions of the American people in the 21st century, the National Folk Festival is FREE to the public, and is produced by the National Council for the Traditional Arts (NCTA) in partnership with communities around the country.
About the National Council for the Traditional Arts (NCTA): The National Council for the Traditional Arts (NCTA) is one of the nation’s premier non-profit cultural organizations dedicated to the presentation and documentation of folk, tribal, and ethnic arts in the United States. Founded in 1933, it is the nation’s oldest producing and presenting organization with such a focus. Its programs celebrate and honor deeply rooted cultural expressions—music, crafts, stories, and dance passed on through time by families and communities as well as by tribal, ethnic, and occupational groups. The NCTA stresses excellence and authenticity in presenting artists to the public in festivals, tours, concerts, media programs, exhibitions, recordings, and other activities, and works in partnership with communities across American to establish new, sustainable traditional arts events that bring lasting social, cultural, and economic benefits. www.ncta-usa.org


About ArtsGreensboro: With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through the 17DAYS Arts & Culture Festival, I HEART ARTS Month, power2give, and other initiatives such as the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. www.artsgreensboro.org"

- A Press Release