Showing posts with label Greenhill Center. Show all posts
Showing posts with label Greenhill Center. Show all posts

synerG Young Professionals, downtown Greensboro Incorporated. & ArtsGreensboro Partner in First Friday Programming

"GREENSBORO, N.C. (May 4, 2016) The community has asked for it and synerG young professionals, Downtown Greensboro Incorporated and ArtsGreensboro have partnered to make it happen. May 6 will kick off a four event series of additional community programming to enhance the already stellar programming at First Fridays. Portions of downtown streets will be closed to traffic to make room for pop up music, interactive arts programming, food trucks, and beer and wine. 
May 6 First Friday’s event will close down South Elm St. from Friendly Ave. to Market St. and from Market St. to Washington Street. Pedestrians will have full access to the area to enjoy Open Streets and Bike Month programming coordinated by Bicycling in Greensboro including a bike safety rodeo, temporary bike lanes, bike limbo and skatepark demos. 

Other entertainment? We have plenty. The organizations are collaborating with the Carolina Blues Festival to bring in Allison King and The Bitter 3 to perform on the street at Market St. & Elm St at 6:30 - 7:30 pm and 8:00 – 9:00 pm. February One will be taken over by yogis with their mats for two yoga classes – 6:30 - 7:00 pm with Downtown Yoga and 7:30 - 8:00 pm with Free Spirits Yoga. The Center For Visual Artists and Urban Grinders are also partnering on an interactive art project in the street in front of Urban Grinders. And of course, many of the Downtown businesses will be open late during the event!

Did all this excitement work up an appetite?  In the pedestrian area, we will have brews served by Gibbs Hundred, Natty Greene’s and Preyer Brewing. Food trucks for the event include Zeko’s, Mystical Sunshine and Tony’s Italian Ice. You can also walk a block away to Center City Park and check out the Porter House Food Truck. You can also check out any of the great downtown restaurants, bars and breweries!

Want to volunteer to help make these events a success through helping set up, check ids, serve beer and help with programming? Email hmeredith@actiongreensboro.org

Next special First Friday events will include June 3, July 1 and August 5. 

Other May 6 First Friday Happenings:

Elm Street: Bicycling in Gso (BIG) demos
GreenHill: Dance Project performance
Cultural Center Atrium: Jay Squid’s The Box of Dreams
CVA: Material Fact opening
Urban Grinders: Color Me Bad opening
Southeastern Building: Pop-up Gallery & Tours
Blue Denim: Artist Denise Landi
Mack & Mack: Walker Family Band
Chakras Spa: Artist Morganne Radziewicz w/ Blue Sands
Triad Stage: Don Juan Love Booth
Fire Salon: Band Abe Reid & Blind Dog Gatewood
Natty Greene’s: NEW limited-release draft & PupUP Dog Park
CTG: Gypsy
ReAligned: Bring Your Own Vinyl!
HQ Greensboro: Tours
GPS @ The Forge: Artist Andrew Dunnill
Elsewhere: Garden Party
PB & Java: Electric violinist Marta Richardson & friends
Gibb’s Hundred: Merle Haggard tribute
###

Media Inquiries Contact
Hillary Meredith, synerG Young Professionals Director
Action Greensboro
336-387-8350


About synerG
synerG, under the umbrella of Action Greensboro, is an active organization of young adults who lead initiatives with the mission to attract, engage and connect young professionals to Greensboro, North Carolina. Through our projects, synerG promotes social and professional networking, leadership opportunities and serves as a clearinghouse for information for young adults in the 21-39 year-old age demographic. synerG values the creation of opportunities and atmospheres that promote connectedness, diversity/inclusiveness and accessibility.

About Downtown GReensboro Incorporated
Downtown Greensboro Incorporated (DGI) is an economic development organization focused on stimulating investment and activity in the center city. DGI’s primary focus is to lead the development of Downtown Greensboro as a prosperous and vibrant urban center, memorable and meaningful for those who choose to live, work, play and invest here.

About ArtsGReensboro

With an annual budget of approximately $4 million, ArtsGreensboro is a catalyst for innovation to build recognition and support for the arts. Through its ArtsFund-supported grant programs, the 17DAYS Arts & Culture Festival, the Levitt AMP Greensboro Music Series, I HEART ARTS Month, and other opportunities including the National Folk Festival, ArtsGreensboro is driving the health and vitality of our community by supporting arts education, celebrating the diversity of Greensboro, and driving economic impact through excellence in arts programming. artsgreensboro.org"

- A Press Release

GREENHILL ANNOUNCES ART + DIALOGUE, A MULTI-ORIGANIZATION COLLABORATION

"(Greensboro, NC) The African American Atelier, Center for Visual Artists (CVA), Greenhill, Guilford Native American Art Gallery and National Conference for Community and Justice of the Piedmont Triad(NCCJ) announce a ground-breaking collaborative project entitled Art + Dialogue: Responding to Racial Tension in America (A + D), intended to bring community together in dialogue around racial tension. A + D, using art as an equalizing, thought-provoking platform, will ask all visitors and participants to put aside stereotypes  and misconceptions and ask each other and ourselves the questions we may be afraid to voice. The project will take place at Greensboro College, site partner for A + D and will run from Thursday, September 24, 2015 through October 11, 2015.

A + D Partner Organization Planning Team members include:
·        Dara Nix-Stevenson, Center for Visual Artists
·        Ivan Canada, NCCJ
·        LaShari Clemons, African American Atelier
·        Laura Way, Greenhill
·        Lynn Sanders-Bustle, Ph.D, Greenhill
·        Wanda Attmore, Guilford Native American Art Gallery

A + D will consists of three project areas.  The first area will be a juried art exhibition with the jury members from each partner organization and an august panel of artists and educators. A Call to Artists has been disseminated statewide and can be found at www.greenhillnc.org/Art-Dialogue.  Artists will be selected based on artistic quality and relevance to A + D themes: intersection of race with gender, age, class, sexual orientation, immigration status, ability status and other identities; visibility of multi-racial individuals and families in the U.S.; how art can express pain, grief, rage—and still inspire healing; historic roots of race and racism and resulting realities today and visions for the future; different forms of racism; cultural appropriation versus cross-cultural exploration/inspiration, and how immigrants and immigration status are defined.

The Jury Members are as follows:
·        Susan Harbage Page, Artist, Assistant Professor, Women’s and Gender Studies, UNC Chapel Hill
·        Rosalia Torres-Weiner, Artist, Founder, Project Art Aid, Charlotte
·        Pedro Lasch - Visual Artist & Associate Research Professor, Duke University
·        Jina Valentine, Artist, Faculty at UNC Chapel Hill
·        Courtney Reid-Eaton, Exhibitions Director, Center for Documentary Studies, Duke University
·        Chanelle Croxton, Curatorial Assistant, Nasher Museum, Duke University

Katie Lank, Executive Director at CVA says, “As a partner organization, CVA is committed to making the visual arts approachable, accessible, and affordable. The CVA invests in using art as a tool of engagement to bring together diverse voices in the Greater Greensboro community. Therefore, participation in Art + Dialogue: Responding to Racial Tension in America is an extension of the work that CVA is already doing.  CVA is grateful for the opportunity to partner in coalition with other visual arts organizations to bring A + D to Greensboro and beyond in an effort to reframe how we think about, write about, discuss, or otherwise consider race and racism in America with the goal of creating sustainable, equitable systemic change.”

The second project area is a series of panel discussions designed to: explore the changing landscape of race and racism in the 21st century at the individual and institutional level; examine the unique ways race plays out in America, North Carolina in particular; engage our community in an ongoing dialogue about race that honors the past and builds a vision for the future; move beyond stereotypes and misconceptions to the layered and complicated reality of race in our daily lives; provide a space for frank, innovative artwork that provokes active responses to difficult questions; and create a space where people can open their minds and hearts, be vulnerable, sit with discomfort, listen to new perspectives, and speak their own truths.  NCCJ will lead a group of volunteers to put together panels representing the multicultural and multi-racial aspects of the community, with each panel bringing unique perspectives and insights to the pressing contemporary issue of race and racial tensions. 
Ivan Canada, Interim Executive Director at NCCJ states, “NCCJ believes in the power of community –wide dialogue.  So, when approached to join this collaborative project using art as the platform to have difficult conversations about race we saw it as an opportunity to include more of our community in the conversation in a safe environment for hopes of beginning to work together as a community to understand each other, build trust and create a community that works for all of us.”

To make programing as versatile, inclusive and engaging as possible, the third project area is Open Dialogue Sessions (ODS), intended to present multiple artistic disciplines, combine and/or integrate art forms; explore, fuse or transcend art disciplines and look to new forms of expression all in response to A + D themes. As with the art exhibition, ODS involve a call for participation with a committee of volunteers selecting up to 20 artists to present throughout the 16 days of the project. The call for ODS participants can be found at www.greenhillnc.org/Art-Dialogue.

According to Taneka Bennett, ODS Committee member and Greenhill Board Member, “Art is a powerful form of expression, a universal language;  having multidisciplinary artists as an integral part of A + D adds layers to the conversation, whether it is spoken word, video shorts, monologues, music or dance. To ensure we create a welcoming and impactful environment, it is essential that the ODS represent the diversity and inclusive nature of all art forms, and we are so looking forward to what we will experience throughout this project.” 

When asked to summarize why these five organizations would take on this project, the answer was a simple one for  Laura Way, Executive Director at Greenhill,  “A + D is an important way in which each organization can share their unique voice to the important nationwide conversations going on today. There are so many people in both our Greensboro community and NC, artists and non-artists, who come from diverse backgrounds, but share a common belief that individuals can make transformative impact on their community. We need to look beyond today’s limitations to see a world of new possibilities, where dialogues around racial tension are not impolite or taboo but part of an ongoing conversation about how to make our community grow and thrive together. My hope is the art, open dialogues, and panel conversations that will be included in A + D spark deep and meaningful conversations, both while we are together for the 16 days and after the project ends—that people who attend leave with a sense of empowerment and transformation, and are able to talk about what they are feeling and listen with care and respect to new and different perspectives about the difficult issues surrounding equity, equality, and the common good.”  

A + D is supported by the SJ Edwards Foundation, ArtsGreensboro/Joseph M. Bryan Foundation, and the Community Foundation of Greater Greensboro.  According to Walker Sanders, President, CFGG, “The Community Foundation strongly believes that art provides an opportunity for people to come together, from different backgrounds to share a common experience.  It is from these common experiences that serve as the foundation from which trust can be built.  We can’t think of a better way to start a healthy and constructive community dialogue than doing so through art.”

Sponsorship opportunities are available. For more information contact Laura Way at Laura.Way@greenhillnc.org.

ABOUT THE PARTNERS

AFRICAN AMERICAN ATELIER
The African American Atelier, Inc., a non-profit art organization, seeks to promote an awareness, appreciation and sensitivity to the visual arts and culture of African Americans and to work in harmony with other ethnic groups. The French term “Atelier”, literally means “in the studio.” Founded in 1990, this organization facilitates community involvement and participation in the arts both inside and outside of the studio located in the Greensboro Cultural Center. The Atelier provides a diverse range of exhibits, programs, activities and services for all age groups and ethnic backgrounds.

CENTER FOR VISUAL ARTISTS
The Center for Visual Artists (CVA) is a non-profit organization that supports emerging artists of all ages through educational programs, exhibition opportunities and community outreach. Our program of work grows from our efforts to create opportunities for families to participate in the arts and local artists to share their talents with others. The desired outcome for our organization is to ensure that there are visual art offerings in Greensboro that are approachable, accessible, and affordable. Learn more about CVA at www.greensboroart.org.

GREENHILL
Greenhill is the only non-collecting organization dedicated to presenting, promoting and advocating for contemporary visual art and artists of North Carolina. Since its founding in 1974, Greenhill has presented and sold artwork of over 9,800 visual artists and engaged over 1 million visitors through free access to The Gallery, InFocus Gallery, The Shop and the educational programs of ArtQuest. Exhibitions are composed of two complimentary programs, The Gallery and InFocus Gallery. The Gallery represents the primary space within which Greenhill presents exhibitions that demonstrate the creative and artistic expressions of NC artists. With aesthetic quality invariably at the forefront, exhibitions are planned to give emerging, mid-career and established artists opportunities throughout their careers. InFocus Gallery is an art space designed to bring together new and seasoned art collectors and artists with exceptionally collectable works for sale. InFocus Gallery is Greenhill’s platform for investment in art in combination with The Shop, which offers unique, handcrafted artworks from selected NC artists in a variety of mediums and serves as an accessible entry point for new collectors.

GUILFORD NATIVE AMERICAN ART GALLERY
The first gallery of its kind in the Southeast promoting and selling traditional and contemporary Native American art and crafts. Four exhibitions are showcased annually. The gift shop carries a variety of authentic Native American art and crafts such as works by the Papago Tribe of Arizona and the Soap Stone sculptures by the Tuscarora tribe of New York.

NCCJ

The National Conference for Community and Justice of the Piedmont Triad, Inc. (NCCJ) is a human relations organization that promotes understanding and respect among all cultures, races and religions through advocacy, education and dialogue. Our mission is to build compassionate and just communities free of bias, bigotry and racism. NCCJ does not advocate for any particular group or philosophy, but works to build mutual respect among all people—regardless of race, culture, sexual orientation, gender, socioeconomic background or faith. To promote understanding and respect across groups, NCCJ believes society must acknowledge the dynamics of power and privilege and the role individuals play in creating attitudes, behavior and practices that support systems of exclusion and oppression either overt or covert. To fulfill its mission, NCCJ programs must create inclusive, respectful and just communities."

- A Press Release

GREENHILL AND THE GREEN BEAN PARTNER FOR SUMMER EXHIBITIONS


"(GREENSBORO, NC) In conjunction with Greenhill's summer exhibition, Jonathan Brilliant On-Site (June 19 - August 30), The Green Bean is hosting a call for artists for Grounding Grounds on display June 13 – August 1.

Jonathan Brilliant On-Site, curated by Edie Carpenter, explores the work of Jonathan Brilliant who will create a site-specific installation from repurposed materials sourced primarily from coffee shop culture such as disposable wooden stir sticks, iced coffee straws, paper cup sleeves and plastic cup lids. In the spirit of Brilliants exhibition, Tricia Cooke, curator at The Green Bean is announcing a call to artists for Grounding Grounds | A Community Art Project and Exhibition comprised of works submitted by artists of any skill level using similar coffee house materials; coffee cups, lids, straws, stir sticks, filters, used coffee grounds, etc. Cooke said, “It’s exciting to be able to work together – to have the support from Greenhill as we support their ideas and vision.”

In Jonathan Brilliant’s work he explores the ideas his work “that the coffee shop and related consumer environs are more organic and nurturing than the ‘real’ natural environment.”  At Greenhill, he will develop a site-responsive work focused on the unique features and architecture of The Gallery. The installation, containing between 30,000-50,000 stir sticks woven entirely with tension and compression without adhesive, creates an uncanny sculptural environment for the viewer where they are literally immersed in an environment formed from nothing but the repurposed materials.  His work reflects his interests in the effects of labor, performance and materials applied to an exhibition space.

More about the Call to Artists
The Green Bean is looking for artists who are interested in creating works made out of materials and supplies found in coffee shops; cups, lids, straws, stirrers, filters, used coffee grounds, etc. Finished pieces need not be solely comprised of these items, but these items must be somehow incorporated into pieces. Any and all are encouraged participate, from the novice to the professional.  Works will be on display at The Green Bean located on Elm Street, downtown Greensboro, from June 13 – August 1.  All work is for sale.  Artists receive 100% of commission.

To register go to www.etsy.com/shop/groundinggrounds. Purchase any of the $25 packages on The Green Bean’s Etsy store. Materials package can be picked up at The Green Bean on May 15. To use personal coffee materials, choose the “REGISTRATION ONLY” package. (NOTE: This option does not include a materials starter kit. It will simply be your registration fee.)"

- A Press Release

GREENHILL RECEIVES PNC GRANT FUNDING TO GROW FREE FAMILY NIGHT PROGRAM

"(Greensboro, NC) Greenhill has been awarded over $7,000 from PNC to expand the reach of free Family Night.  Having served 3,000 children and families in 2014, Greenhill is looking to increase this number by 25% to serve an additional 750 annually.  Greenhill recognizes the need to reach more community members through the Family Night programs and with added funding from PNC, it will be able to provide an additional staffing and art supplies to support and guide increased numbers of children and families. 

Family Night is a long standing tradition at Greenhill. Since 1996 Greenhill has offered Family Night, a program which provides children and families free access to ArtQuest and The Gallery on Wednesday’s from 5-7 PM. Comprised of four interactive studios, the ArtQuest studios are active, social spaces where families can make art and share ideas, create one-of-a-kind paintings or work with clay or new and unexpected materials at the hands-on exploration table.  The Art Works Studio contains large painting easels, table-top projects, and a clay station; the Scrap Lab offers and array of recycled materials to make the old into something new and creative, the Imagination Station is geared to the youngest visitors and offers books, blocks and puppet making with a puppet stage for children to present their own stories; and the NC Art Studio is an open space for drawing and other activities.  

ArtQuest facilitator Sam Jordan explains “On Family Night I enjoy seeing the families having fun while really getting into their art. The parents get involved with their kids and become immersed in the creations they come up with together.” Adding, “It feels like a little community of its own with our regular visitors as well as new-comers every week. I see a lot of different cultures come together and there's a lot of laughter and comradery.”

In addition to the ArtQuest’s extended hours and free admission, The Gallery at Greenhill also has extended hours from 5-7 PM on Wednesday evenings. While The Gallery is always free and open to the public, the Wednesday night evening hours offer a time of flexibility for families to participate and engage with the exhibitions.  Parent and Greenhill Board member Kess Thongteum described how the experience in a gallery setting translates to her children at home: “The Gallery is full of intangible benefits that I don't often think about. My girls spent an hour this morning putting together their own gallery. They put together several different pieces then announced the opening and even decided their gallery hours. I thought too funny. I know exposure to art is important, but the entire gallery experience, although difficult to quantify, is also so valuable.”

Benefits of participation in the arts cannot be understated. Studies show that underserved students who have access to the arts in or out of school also tend to have better academic results, better workforce opportunities and more civic engagement. Surveys taken over a month indicated 90% of Family Night participants attend because it is free of charge, exhibiting the need for Family Night.

About the PNC Foundation
The PNC Foundation, which receives its principal funding from The PNC Financial Services Group (www.pnc.com), actively supports organizations that provide services for the benefit of communities in which it has a significant presence. The foundation focuses its philanthropic mission on early childhood education and community and economic development, which includes the arts and culture. Through Grow Up Great, its signature cause that began in 2004, PNC has created a $350 million, multi-year initiative to help prepare children from birth to age 5 for success in school and life. For more information, please visit www.pncgrowupgreat.com or follow www.youtube.com/PNC.

About Greenhill

Greenhill is located at 200 North Davie Street, in the Greensboro Cultural Center.  Greenhill promotes the visual arts of North Carolina by engaging a broad community of artists, adults and children through dynamic exhibitions and educational programs while providing a platform for exploration and investment in art. For more information visit www.greenhillnc.org."

- A Press Release

ArtsGreensboro Kicks off I HEART ARTS Month with Free Family Jubilee and Summer Camp Fair on March 29

First-ever campaign will provide opportunities to participate in, celebrate, and donate to the local arts community

Greensboro, N.C., March 20, 2015 — ArtsGreensboro announced today that it will kick off the first-ever I HEART ARTS Month with a free Family Jubilee and Summer Camp Fair at Revolution Mill Event Center, 900 Revolution Mill Drive, Greensboro, NC 27405, from 1 to 5:30 pm on Sunday, March 29, 2015.

The Family Jubilee and Summer Camp Fair will include activities and performances that families can enjoy together. Performances include:
·      1:45 pm: Greensboro Opera
·      2:30 pm: The Poetry Project
·      3:15 pm: Greensboro Ballet
·      4:00 pm: Music Academy of North Carolina
·      4:45 pm: Community Theatre of Greensboro


On display will be an exhibition of artwork by students from Guilford County Schools. Attendees will be able to cast votes for their favorite pieces; votes will be $1/each, with all proceeds benefiting arts-in-education initiatives funded by ArtsGreensboro. The student artists who garner the most votes will receive People’s Choice Awards, which will be presented in conjunction with the Superintendent’s Awards on Monday, March 30, at Centennial Station in High Point.

Other highlights include art activities led by the Center for Visual Artists (CVA), a photo booth hosted by Greenhill/ArtQuest, and exhibits on a variety of summer camps and other programs for kids and families presented by arts organizations, City Arts, Guilford County Schools’ Summer Arts Institute, the City of Greensboro/Parks & Rec, the Greensboro Children’s Museum, Greensboro Day School, the Youth Cricket Club of Carolina, NCCJ, Tumblebees, and many more.

From March 29 through May 1, I HEART ARTS Month will shine a light on the pillars of our local arts community—the arts organizations, artists, teachers, projects, and programs that deliver huge economic impact and make Greensboro a vibrant place to live and work. Throughout the month, people of all ages will have opportunities to participate in, celebrate, and donate to the local arts community.

I HEART ARTS Month is a great way to remind our community of the important role the arts play—every day—in making Greensboro a vibrant place to live and work,” said Denny Kelly, Chairwoman of Bouvier Kelly and 2015 ArtsFund Co-Chair.

“If every Greensboro resident donated $1 to ArtsGreensboro during April, we could provide $275,000 in additional funding to arts organizations, artists, teachers, and arts-in-education initiatives that keep our community strong,” said Josephus Thompson III, local artist, educator, and 2015 ArtsFund Co-Chair.


To learn more about the Family Jubilee and Summer Camp Fair and I HEART ARTS Month, e-mail ArtsGreensboro Deputy Director Eleanor Schaffner-Mosh at ESMosh@artsgreensboro.org or visit www.artsgreensboro.org."

- A Press Release

GREENHILL ANNOUNCES JONATHAN BRILLIANT ON-SITE

Jonathan Brilliant working on his installation for
Stick, Stack, Show (2011) at the Center for Visual Arts in
Richmond, VA ©2011 Jonathan Brilliant
"(GREENSBORO, NC) Greenhill announces the 2015 summer exhibition, Jonathan Brilliant On-Site, on display June 19 – August 30, 2015. Curated by Edie Carpenter, the exhibition is the first major exhibition in the Triad of the constructed environments of Raleigh-based artist Jonathan Brilliant known for his labor intensive installations.

Brilliant’s installation at Greenhill will be a modification of his coffee shop themed installations entitled “Have Sticks Will Travel: World Tour,” a marathon series of site-specific installations that have taken place in 13 galleries over 18 months, in three countries, and on two continents. Brilliant has utilized repurposed materials sourced primarily from coffee shop culture – composing his palette from disposable wooden stir sticks, iced coffee straws, paper cup sleeves and plastic cup lids. He explains, “In this ongoing series of work, I now continue to explore my sense that the coffee shop and related consumer environs are more organic and nurturing than the ‘real’ natural environment.” At Greenhill, Brilliant will develop a focused site-responsive work centered on the unique features and architecture of The Gallery at Greenhill. The installation, containing between 30,000-50,000 stir sticks woven in place entirely with tension and compression with no adhesive, creates an uncanny sculptural environment for the viewer, resulting in a unique experience for onlookers where they are quite literally immersed in an environment created from nothing but the repurposed materials from everyday life.  While on site he will create a dynamic and engaging installation reflecting his interests in the effects of labor, performance and materials applied to an exhibition space.

During the first ten days of Jonathan Brilliant On-Site, visitors will observe firsthand the construction and evolution of Brilliant’s immersive environment during open artist “residency hours”.  The open artist residency hours (12-2pm each day from June 23-27, 2015) give the artist the space and freedom to create something unexpected not only for himself but for Greenhill audiences as well.  The site-specific work will be constructed in at least one-half of Greenhill’s expansive 7,000 square foot gallery, with its high ceilings, bamboo flooring, abundant natural light and a front window looking out on a public city park.

“Brilliant has developed a specific construction technique that allows him to create airy woven walls of wooden sticks held together uniquely by tension and compression; meandering suspended paper pipes; and target-shaped geometric wall reliefs that evoke manufactured reiterations of Jasper Johns paintings,” explains Carpenter. His environments appear new-age in their responsiveness to site yet project a strong traditional craft-based sensibility in their elegant construction. Though his woven stick structures are Brilliant’s most well-known art form, he states that “…central to all my work is an interest in patterning and mark-making fused with the use of pre-consumer manufactured materials and the use of rhythm and repetition …”

Brilliant incorporates elements specific to each site in the conception of his work and in The Gallery at Greenhill, housed in the former front offices of the old News and Record building, the artist was particularly taken with the ceiling’s decorative plaster egg and dart moldings and the four concrete columns that divide the gallery.  He will use the moldings as inspirations for patterning and printmaking and use the columns as support for his monumental tensile structure.  Greenhill’s exhibition also includes works on paper and smaller assemblages with large mono-prints made from ferrous metal objects and crates enclosing 3-d structures.

According to Brilliant, “The creation of this work entirely in situ is grounded in my belief that the gallery space may be in direct conflict with the space where art is normally created and conceived. In order to dissolve these boundaries I try whenever possible to create my work in the place where it will be experienced. This act ensures that the audience will encounter my work in the same context where it was created.”

Laura Way, Executive Director explains, “Greenhill, has presented an exceptional range of exhibitions in the past 41 years, but rarely do exhibitions include site-specific, installation-based work that has this level of artist response to the environment and audience engagement.”  Once constructed, the work will be the center-point to myriad activities for adults and children and families through ArtQuest, Greenhill’s education program. ArtQuest Summer camps have been developed to take advantage of the installation’s sense of fun and whimsy as well as the art, science and engineering that it took to construct. Brilliant will lead an artist talk and conduct a teen workshop. The actual deconstruction at the end of the exhibition will be as lively and interactive as the construction. Greenhill envisions a contest to find identify the lucky one who gets to pull the right stick that sets the entire installation a tumbling down.

“How audiences interact with art, and how they define art is shifting and evolving as quickly as one can capture an image on Instagram, and it is incumbent on Greenhill to embrace changing realities of how art is viewed, received and perceived. With this residency for Jonathan Brilliant, Greenhill will establish a defined practice within its artistic program of incorporating an active audience participatory exhibition model into the curatorial matrix,” Way said. For more information about the exhibition visit www.greenhillnc.org/jonathan-brilliant-on-site.

MORE ABOUT JONATHAN BRILLIANT
Residing in Raleigh, NC, Jonathan Brilliant received his B.A. in studio art from the College of Charleston and an M.F.A. in Spatial Arts from San Jose State University. He has received numerous fellowships to artist residencies and communities including: McColl Center for Visual Art, The Ox-Bow School of Art, The Vermont Studio Center, and The East/West Project in Berlin Germany. He is a recent recipient of an individual artist grant from the Pollock-Krasner Foundation and the South Carolina Arts Commission 2011-2012 Visual Arts Fellow.

ABOUT GREENHILL
Greenhill is located at 200 North Davie Street, in the Greensboro Cultural Center.  Greenhill promotes the visual arts of North Carolina by engaging a broad community of artists, adults and children through dynamic exhibitions and educational programs while providing a platform for exploration and investment in art. For more information visit www.greenhillnc.org

ASSOCIATED PROGRAMMING

On-Site Insight Artist Talk
Annual Meeting, Thursday June 18, 2015 from 5:00 pm to 6:30 pm
Installation artist and guest speaker Jonathan Brilliant will have a conversation about why nonprofit visual art organizations are critical to the creative development and career path of the artist. 

Jonathan Brilliant On-Site Artist Residency, June 23-June 27 daily from 12:00 to 2:00 pm
Follow on-line or participate in person in the construction of Jonathan Brilliant’s immersive installation made from disposable coffee products. During "open studio" hours the artist will be available to answer questions, demonstrate construction techniques and share his progress with the public.

Hands-on Activity Station in The Gallery, June 19 – August 30, 2015
Throughout the exhibition visit our hands-on activity station in The Gallery where people of all ages can explore the same coffee house materials used in the exhibition. 

Teen Workshop, Monday June 22, 2015 from 11:00 am to 4:00 pm
Work with Jonathan Brilliant from 11:00 am -12:00 pm on his gallery installation; have lunch and move to the studio to explore a “pressless” printmaking process involving ferrous metals and simple household products such as vinegar to capture "rust prints".

Open NC Art Review, Saturday, July 25 from 2:00 to 4:00 pm
North Carolina artists are invited to present 15 works to Director of Curatorial and Artistic Programs Edie Carpenter and Director of Programs Lynn Sanders-Bustle.

First Friday, Friday August 7 from 6:00 to 9:00 pm
Join us for First Friday and live music by the Piedmont Regulators from 6:30 - 7:30 p.m. The Piedmont Regulators is a high energy string band from Hillsborough, NC. While mainly focused on music made around the 1920's, their style is influenced by a wide range of artists, from Appalachian Old Time to New Orleans Jazz, from Texas Swing Bands to Memphis Jug Bands. They guarantee every performance a visceral experience that will have you toe tapping, knee slapping, and hand clapping for more.


Jonathan Brilliant On-Site Closing Party, August 26, 2015, 5:30-7:30 pm "

- A Press Release

Greenhill Announces Learning ART Together Exhibition, a Partnership with Guilford Child Development

"(GREENSBORO, NC) Greenhill will host Learning ART Together:  Bridging Cultures Through Art, an exhibition on view from April 12 – April 17, 2015. The exhibition will include photographs, program activities and women’s journals, artworks, culture cards and a cookbook entitled, From My Table to North Carolina.  

Starting in Spring 2014, Greenhill and Guilford Child Development implemented Learning ART Together, a program designed to help low income immigrant and refugee women create an art or craft they can sell, exhibit and/or share while their children, under the care of Guildford Child Development caregivers, participated in hands-on art activities in ArtQuest Studios. An outgrowth of Guilford Child Development’s Learning Together, a family literacy program that serves immigrant and refugee families with preschool age children, Learning ART Together aimed to build community, strengthen literacy practices and channel the creative spirit of women and children through visual arts.  
Administered by Liz Busch, the Director of the Art Alliance, facilitated by Jaymie Meyer, Greenhill’s Director of Adult and Youth Programs, and overseen by Molly Betton, Guilford Child Development’s Learning Together Program Coordinator, this program was made possible by a grant awarded by Women to Women, a permanent grant making endowment of the Community Foundation of Greater Greensboro.  Upon reflection, Meyer remarked, “I have personally gotten just as much or more from facilitating this program as the women who have participated. My curiosity about what is happening in the world has grown exponentially. Every time I met someone new I learned something about a place that I have never been. It also has made me appreciate just how culturally diverse our community is.”

The women of Learning ART Together brought a unique history and creative drive and were encouraged to make links between their native cultures and American culture. They searched the Internet for arts and crafts that appealed to their own aesthetic, kept a journal, visited  The Gallery and learned new techniques shared by visiting artists Senora Lynch, Kathryn Gauldin, Suzie Cooke, and Betsy Renfrew who provided instruction in printmaking, watercolor painting, embroidery, collage, jewelry making, and paper making.


An essential component of the program, women learned to value art processes, ideation and collaboration. Exposure to entrepreneurial practices and opportunities was yet another important aim of the program. Throughout the year, Learning ART Together participants went on field trips to learn about avenues by which artists sell their art. The social interaction alongside art making proved to be equally as valuable as the art making. The women from vastly different cultures discussed everything from their children and food to how black made them look thinner--all over coffee and munchies. The intertwining of cultures revealed commonalities that led to From My Table to North Carolina – a recipe book and “culture cards” featuring collages, recipes and stories created by the women as a means for learning how to develop a  product to sell. The culture cards are currently being sold at Scuppernong Books and The Shop at Greenhill. The book will be available in April 2015. An opening reception will be held at Greenhill on April 12th from 2:00-5:00 pm featuring a tasting of a selection of recipes from the cookbook."

- A Press Release

Greenhill Announces Pop-Up Residencies, a Call for Triad-based Artists

"Greenhill is excited to announce a call for proposals for 2015 Ten-Day Pop-Up Residencies in ArtQuest at Greenhill.

ArtQuest is Greenhill’s one-of-a-kind hands-on education studios for children and families. Filled with sunlight, the NC Studio, a socially charged educational space, will serve as a pop-up studio for selected artists. Greenhill is looking for artists who have a genuine interest in sharing their techniques and processes with children and families who frequent the space. If desired, artists can invite visitors to participate in art making activities alongside them. Artists will be expected to work in the studio during regular business hours for a minimum of five to seven days to include one Family Night, which takes place on Wednesdays from 5-7 PM, and First Friday 6-9 PM offering artists a unique opportunity to share their work with visitors.

The goals for the Pop-Up Artist Residency program at Greenhill are two-fold: 1) to provide a space and materials for emerging Triad-based artists to create and exhibit artworks in a family friendly education setting and 2) to deepen Greenhill visitors’ experiences by engaging artists in discussions about their creative practices so that they can make connections between processes and works in The Gallery.

Selected artists will receive a $200 material stipend, exposure, networking opportunities, internet access, plus, close proximity to The Gallery at Greenhill and use of ArtQuest materials and equipment. The first artist residency is May 27 – June 5, 2015.  Applications are due on April 1, 2015. All interested applicants should go to www.greenhillnc.org/PopUp to fill out an application. 

Prior to submitting an application it is recommended to view information about ArtQuest and exhibitions that will be taking place in The Gallery during scheduled residencies which can be found at www.greenhillnc.org/upcoming.  Applications are accepted year round and will be reviewed bi-monthly. If selected, a background check will be conducted.

For more information, contact Lynn Sanders-Bustle, Ph.D., Director of Programs at 336-333.7460 x 103 or lynn.sanders-bustle@greenhillnc.org.

2015 Available residency dates include:


AVAILABLE RESIDENCY DATES
APPLICATION DUE DATE
May 27 - June 5, 2015 
April 1, 2015
August 26 - September 4, 2015
May 15, 2015
September 23 - October 2, 2015 
June 15, 2015
October 28 - November 6, 2015
July 15, 2015

GREENHILL ANNOUNCES DANIEL JOHNSTON & HIROSHI SUEYOSHI: SCULPTURAL CLAY EXHIBITION



Daniel Johnston with his large pots in process. ©Daniel Johnston
"Greenhill announces the 2015 Spring exhibition, Daniel Johnston | Hiroshi Sueyoshi: Sculptural Clay, on display May 1 – June 10, 2015. The exhibition brings together two ceramic artists who come from different parts of the state: Daniel Johnston from Seagrove and Hiroshi Sueyoshi from Wilmington. Johnston and Sueyoshi are nationally recognized ceramic artists with distinctive styles.

In Daniel Johnston │ Hiroshi Sueyoshi: Sculptural Clay “visitors will see remarkable examples of wood-fired, wheel-thrown stoneware and hand-built porcelain and clay by nationally recognized ceramic” explains Edie Carpenter, Director, Curatorial and Artistic Programs at Greenhill. Working in distinctive styles, Johnston and Sueyoshi are combining clay traditions from East and West to create works that reference the vessel as a functional object, but are ultimately representational or sculptural forms.

Johnstons’ monumental jars are created from hand-dug local North Carolina clay and ash glazes evoke the tradition and history of the storage vessel. He is one of the newest “large-pot” ceramicists living in the Seagrove clay community to come to the national forefront and will present a site-specific installation for thirty large jars designed for Greenhill’s space. Johnston explains, “Visitors will enter a 60-foot long tunnel to view my jars.  They will experience light playing through the tunnel’s interior and perceive the monumental jars aligned in a series reflecting their production on the wheel. The architecture of the structure is built from the same wood that feeds the crucible where the pots were created— and evokes the design of the groundhog kiln of the American South. At the end of the corridor one last jar, I select, and will be displayed on a pedestal in a seamless cube, resembling a modern gallery space.”

In a separate part of The Gallery at Greenhill, works never before seen of Sueyoshi’s will be on display including his clay “stones”, which are handmade versions of the stones of the “dry landscapes” of 14th century Japan.  Sueyoshi, who has worked as artist in residence at Cameron Art Museum in Wilmington’s Pancoe Education Center for the past nine years, will present a condensed version of his recent retrospective exhibition there, “Matter of Reverence”,  covering four decades of his production in hand-built porcelain and clay.  The bowl or vessel is reiterated in many different ways by Sueyoshi in works that suggest architectural structures or plant forms, often combining textured exterior walls with smooth interior surfaces washed in saturated colorful glaze.  In an interview in The Living Tradition, North Carolina Artists Speak Sueyoshi states that for the most part his forms always “leave something open so you can see inside” (2009, The NC Pottery Center, p. 165) leaving a visible reference to the vessel. 

The exhibition opens to the public on Friday, May 1, 2015 from 5:30 – 6:30 pm.  The first hour is time reserved for Greenhill members and sponsors to engage with the artists and curator.  Starting at 6:30, the public is welcome to join.  Free and open to the public. For more information on becoming a member of Greenhill, visit www.GreenhillNC.org/Join.


ADDITIONAL ASSOCIATED PROGRAMS

Artist Talk: Wednesday, May 20 from 5:30 - 7:30 PM
Daniel Johnston and Hiroshi Sueyoshi will each speak for 45 minutes and answer questions about their works.  Free and open to the public.  Refreshments

First Friday, June 5 from 6:00  - 9:00 PM
Join us for First Friday and live music by the Diego Hillbillies from 6:30 to 7:30 p.m. The Diego Hillbillies, an Americana band, play a mixture of tunes from many genres played like only hillbillies can! The band features William Hicks on mandolin, Charlie Murphy on bass, and Frank Fratoni on guitar and vocals. First Friday free and open to the public. Cash Bar. 

Adult Workshop | Clay Rattles: Make a Joyful Noise, May 7 from 1:00 – 4:00 pm or 6:00 – 9:00pm
Lynn Sanders-Bustle, Ph. D, Director of Programs at Greenhill, will be instructing this adult workshop. Lynn will share her experiences working with clay and other three-dimensional processes and will present a brief history of clay rattles. Participants will tour The Gallery and learn hand-building techniques and strategies which will be used by participants to create a one-of-a kind rattle. Lynn fondly remembers where her fascination with clay began, Lynn has taught ceramics and other three-dimensional processes to others. Sign up online at www.greenhillnc.org/adult-workshops.


ABOUT THE ARTISTS

Daniel Johnston’s 2010 “Large Jar” project utilized Thai techniques to produce one hundred large 34-40 gallon pots in as many days. The physical experience of forming the hundreds of pounds of clay used in the project took on a heroic dimension comparable to descriptions of Abstract Expressionist painters’ battles with their paint.  Johnston has been recognized by invitations to speak at the Smithsonian Institute’s Freer Gallery and the acquisition of major works by the Mint Museum of Craft and Design, Charlotte.  


A native of Japan, Hiroshi Sueyoshi studied at Tokyo Aeronautical College and served as apprentice to potter Masanao Narui in Mashiko before coming to North Carolina in 1971 to help design and build Humble Mill Pottery in Asheboro where he has worked for more than four decades. On his Eastern heritage Hiroshi has stated:  “Some people say, ‘Oh, your work is very Japanese influenced.’ And sometimes Japanese friends come here and see my pots and say, ‘Very much westernized.’”  (The Living Tradition, p. 161)  In recent years Sueyoshi has looked more closely at his Japanese heritage and his retrospective exhibition included two installations reflecting a restrained Zen esthetic:  "Empty Bowls" a meditation on the Japanese tea ceremony, presented 68 stoneware soup bowls, each marking a year of Sueyoshi's life.  "Rock Garden," featured stoneware "rocks" some resembling natural forms and others figures of the imagination, arranged in a configuration resembling a Japanese Zen garden. Hiroshi Sueyoshi’s works have been exhibited nationally in private, corporate and institutional collections, including the Renwick Gallery in the National Museum of American Art. In 2006 he was honored with the North Carolina Living Treasure award. "

- A Press Release

FRITZ JANSCHKA’S PORTRAIT MUSEUM AND SELF-PORTRAITS BY 33 NC ARTISTS AT GREENHILL

Fritz Janschka, S.A. Commissioned to Paint F.J.¸
2011, acrylic on illustration board, 17 x 14 inches
"Greenhill announces Fritz Janschka’s Portrait Museum and Self-Portraits by NC Artists on display January 30 – April 2, 2015. This dual exhibition explores contemporary approaches to self-representation in painting, sculpture, photography, video and installation.

Fritz Janschka’s Portrait Museum will contain Janschka’s collection of fifty portrait oil paintings in which he has emulated the styles and techniques of famous artists he has admired during his lifetime of painting. Janschka taught for 36 years at Bryn Mawr College in Pennsylvania and was named Professor Emeritus of Fine Arts as well as Fairbank Professor Emeritus of the Humanities. While teaching and creating art, he often created works inspired by literature including numerous drawings relating to the writings of James Joyce, a selection of which toured Europe and the United States in the 1970’s. Like other parts of Janschka’s works which include sculpture, painting, collage and drawing, the works in the exhibition reveal his classical training with Albert Paris Gutersloh at the Academy of Fine Arts in his native Vienna. 

Janschka began his homage to the masters and mistresses during his ninth decade. The relationship between artist and model is the prevalent theme in this collection whereby Janschka often interjects himself into paintings. For example, in his painting “Fritz Janschka, as Sofonisba Anguissola, S.A. Commisioned to Paint F.J.”, Janschka is being painted by 16th century artist, Sofonisba Anguissola, one of the most accomplished women artists of her period.  In the work, the figure looks out at the viewer as if she has just been disturbed while painting a portrait of Janschka in modern dress, effectively linking the centuries that separate them. According to curator Edie Carpenter, in these works, viewers “overhear a wonderful conversation between artists from different ages in works that as a collection comprise a pictorial equivalent of the process of reimagining and reinvention that itself has a long history.” In a later work in this collection “Self Portrait as a Moonflower” (2012) Janschka paints himself “emerging from a flower at some indeterminate age in the past,” claiming that he has “not always succeeded in ‘mastering the masters,’ I hope they will forgive my lack of skill and continue revealing their secrets to me.”

In a separate portion of The Gallery at Greenhill, Self-Portraits by NC Artists will present works by 33 NC artists who explore self-perception in traditional and conceptual self-portraits. Artists include: Dean Allison, Michael Ananian, Hagit Barkai, Saba Barnard, James Barnhill, Katherine Bernstein, William Bernstein, Deneé Black, Steven M. Cozart, Maia Dery, Alia El-Bermani, Rebecca Fagg, Richard Fennell, Darren Douglas Floyd, Tim Ford, Tony Griffin, Michael Klauke, Elizabeth Matheson, Darlene Mcclinton, Don Morgan, Michael Northuis, Mark Nystrom, Maureen O’Keefe, Eric Olsen, Alla Parsons, Juie Rattley III, Barbara Schreiber, Leah Sobsey, Brad Spencer, Jack Stratton, Richard Stenhouse, Michael Van Hout, and Betty Watson.

In the work of Hagit Barkai, the figure is recognizable, yet portrayed as vulnerable through the use of erasure blurring and ambiguous spatial settings. In striking contrast, Rebecca Fagg’s crystalline realism represents the artists’ quiet interior scenes, using absolute calibrations of color. Respectively, artists Steven M. Cozart and Juie Ratley III use the self-portrait as a platform to pose questions about preconceived stereotypes or to as described by Carpenter “evoke personal narratives which reveal a larger sense of social, political or psychological conflicts.” Mark Nystrom represents the portrait conceptually by incorporating digital technologies in his work “Personal CO2 Emissions” which is composed of 435 balloons whose inflated volume represents the artist’s daily CO2 emissions.  In a painting, Saba Barnard represents a QR code which when accessed on a viewer’s phone reveals an elaborately painted portrait.

Associated Programs
Take a Selfie #1512SelfiePortrait
Friday, January 30 – Sunday, April 2, 2014
Starting at the Public Opening, viewers are invited to help mark the 1512 hours the exhibition is up by submitting a selfie through Instagram or Twitter by using hashtag #1512selfieportrait to @greenhillnc.  Printed versions of the self-portraits will be on display in Greenhill throughout the exhibition.

Public Opening
Friday, January 30
Greenhill will host an opening reception, where guests can join the artists for the opening of this dual exhibition. Free and open to the public.

Fritz Janschka and Friends
Wednesday, February 18 from 5:30 to 7:00 pm
Join artist Fritz Janschka and a gathering of very talented friends for an hour interactive music, poetry and performances of all kinds in “homage” to the master. Free and open to the public.

February 26, 2015, 1-4 PM or 6-9 PM
Jaymie Meyer, Director, Youth and Adult Education Programs at Greenhill will be instructing this adult workshop, “Self-Portrait Tapestries.” The workshop is offered at two different times,  a “Tea Time” session from 1-4pm and an “After Hours” session from 6-9 pm. After Hours sessions includes wine and light refreshments. Tea Time sessions includes coffee, tea and light refreshments. $45 for members/$50 for non-members. To reserve your space go to: www.greenhillnc.org/adult-workshops.


Greenhill is located at 200 North Davie Street, in the Greensboro Cultural Center.  Greenhill promotes the visual arts of North Carolina by engaging a broad community of artists, adults and children through dynamic exhibitions and educational programs while providing a platform for exploration and investment in art. For more information visit www.greenhillnc.org."

- A Press Release

GREENHILL EXPANDS PROGRAMS FOR ADULTS, OFFERING WORKSHOPS AND COFFEETIME

On October 30, Following Threads artist Jason Watson
led an adult workshop called "Inventing Histories: Mixed Media
Collages with Found Photos and Objects."  Participants were
led through The Gallery at Greenhill where they asked questions
about Jason's work and then in ArtQuest had a hands-on experience
where they created their own narrative work using found objects
and anonymous photographs. Photo Credit: Lauren Davis
Gordon, Marketing & Design Guru, Greenhill

"Greenhill is pleased to announce an expansion to their adult programming.  The new programs consist of Adult Workshops and CoffeeTime. For over 17 years Greenhill has been known for strong educational programming offered for children and families through ArtQuest.  While this programming remains central to Greenhill’s mission, the organization recognized there was an opportunity to expand programming to engage adult audiences in hands-on creative activities, prompting the expansion of adult programs beyond artist talks and exhibitions.

“At Greenhill, education is at the heart of what we mean when we say ‘art is essential to the human experience.’ To be educated in the arts means experiencing art through looking, making, responding and connecting. While much is said about the educational benefits of the arts for children, adults benefit in profound ways,” said Lynn Sanders-Bustle, Ph.D., Greenhill’s Program Director.

Adult Workshops are designed to provide a socially charged space that will rejuvenate the spirit and increase understandings of art materials and processes. Three hour workshops led by trained facilitators and artists who introduce a concept, walk through The Gallery at Greenhill to explain the connection to the current exhibition and then follow up with a hands-on workshop in the ArtQuest studios. Workshops are available at two times afternoon “Tea Time” sessions include coffee, tea and light refreshments ($45.00 per person) and evening “After Hours” sessions ($50.00 per person) include wine and light refreshments.  A materials fee will be added based on the cost of supplies used.  Material fees will be $15 or less.

“A report by the Rand Corporation about the visual arts stated ‘the intrinsic pleasures and stimulation of the art experience does more than sweeten an individual’s life’ (2005). Regardless of age and/or skill level, participation in the arts significantly improves quality of life, brings people together and shapes communities, challenges and improves thinking, surprises, raises us up and transforms our existence,” stated Sanders-Bustle.

Silk Scarf Painting and Dyeing Workshop will be held December 9 at 1PM or 6PM . The workshop will begin with a private tour of Winter Show by Greenhill's curator Edie Carpenter where she will discuss some of the fiber works in the exhibition. This will be followed by an interactive session led by Laura Maruzzella, who has her MA in Art Therapy and is Greenhill’s Art Educator; she will discuss her work, the history of fiber art and practices and lead the group through a number of techniques, with each participant able to create and take home their own scarves. For Maruzzella, she believes making art is “a very freeing experience...that's exactly why I like making art in general.  I'm excited about this workshop because I think people will feel very successful after participating.  It will be very social, plus you can make one scarf for yourself and another for a friend - just in time for the holidays." Limited space available.  To register go to Greenhill’s website www.greenhillnc.org/adult-workshops. An additional material fee will be collected, $10 for one scarf or $15 to create two scarves.  A video from the last adult workshop on October 30th can be found https://www.youtube.com/watch?v=niaqfzHJYIQ&feature=youtu.be.

A second new adult program is CoffeeTime, held each Wednesday from 1-3PM. Adults are welcome to drop in at Greenhill to relax and socialize while experimenting with art materials and techniques, with a new art activity offered weekly. Participants will spend as much time as they would like, enjoy a hot cup of coffee/tea, meet new people, make art or just visit. Admission to CoffeeTime is $8.00 for non-members and $7.00 for members.  Coffee and tea are sold for $1.25 per cup.


Greenhill is located at 200 North Davie Street, in the Greensboro Cultural Center.  Greenhill promotes the visual arts of North Carolina by engaging a broad community of artists, adults and children through dynamic exhibitions and educational programs while providing a platform for exploration and investment in art. For more information visit www.greenhillnc.org."

- A Press Release

CALL FOR ARTISTS 2015 U.S. Figure Skating Championships Poster Competition


ATTENTION NORTH CAROLINA ARTISTS
Greenhill and the U.S. Figure Skating Championships are looking for an original artwork portraying the spirit, athleticism and grace of figure skating for the official poster of the 2015 U.S. Figure Skating Championships taking place at the Greensboro Coliseum from January 18-25, 2015.  The winning artist will receive $3000 for reproduction of their work on the poster as well as royalties from sales during the Championships. Second and third place entries will receive $750 and $500 respectively.  A People's Choice award of $750 voted by the public will also be awarded.

Entries are due by September 30, 2014

Rules for Submission:

1.  Eligibility: The competition is open to current residents of North Carolina (temporary or permanent) or out-of-state residents who have earned a degree from a North Carolina college or university. 
2. Artworks must be 2-d.  All media (painting, drawing, printmaking, collage, fiber art) are accepted. Photography is excluded. Do not include typography or illustrated text in your artwork.
3. All submissions must be an original design by the entrant, not an adaptation of another artist's design, and conceived for reproduction as a 40 x 30 inch poster.
4.  Artists may submit up to two entries in the form of jpeg digital images. There is a $10 fee per entry. Submit online at:  www.greenhill.slideroom.com
Please address any questions to:  edie.carpenter@greenhillnc.org
5. All submissions must be received by September 30, 2014.
6. Entrants must agree if they are selected as one of the 40 semi-finalists, to exhibit their work at the Coliseum from January 18-25, 2015 and prepare their work for display.
7. Semi-finalists will be notified by October 15, 2014.
8. Drop-off of semi-finalists' work at the Orientation Room, Greensboro Cultural Center, 200 North Davie Street, Greensboro, NC 27401 for juried review:  December 11, 2014.
9. Notification of winning design and 2nd and 3rd place entries:  December 15, 2014.
10. Awards conferred during a ceremony at the Greensboro Coliseum on January 16 or 17, 2015 (to be announced).
11. Works picked up at Greenhill, 200 North Davie Street, Greensboro, NC 27401 on January 28 and January 29, 2015.
12. The winning artists give Greenhill and the U.S. Figure Skating Championships the right to use their artwork, or part thereof, in any publication, advertising, or promotional materials.  

For more information on the 2015 U.S. Figure Skating Championships, please visit the website at www.northcarolina2015.com.

GREENHILL PRESENTS FOLLOWING THREADS, A DRAWING & FIBER EXHIBITION


Greenhill announces the exhibition Following Threads:
Fiber Art and Drawing on display from Sept. 19-Nov. 9.

Becky Joye, Lantern, 2010, acrylic

and pencil on paper, 30 x 22 inches

©Becky Joye, Courtesy Greenhill

"Following Threads highlights four artists, Harriet Hoover, Becky Joye, Leigh Suggs, and Jason Watson, who investigate the drawn and stitched line in figurative and abstract works that stretch the definitions of drawing. Hoover, Joye, Suggs and Watson all have artistic practices that embrace several mediums, producing studio drawings as well as works utilizing fiber, collage, hand and machine sewing, and installation.  Thematic threads link their graphic and fiber work as well as their multidisciplinary approaches which explore personal narrative spaces.

Line, Touch, Trace, an exhibition presenting 13 North Carolina artists focusing on draftsmanship curated by Edie Carpenter, was developed concurrently with Following Threads and is on view at the North Carolina Museum of Art from August 31, 2014 through March 4, 2015. 
Harriet Hoover’s works combining several media are informed by the artist’s desire “to uncover stories of a place and its history.” In Following Threads Hoover associates drawing and collage in a new group of works that may be viewed from two sides, including large-scale floor to ceiling collages. Hoover’s assemblages, like her 2-d works, are composed from found materials and often bear the names of the places where the artist gathered them.  These cast-off remnants are “manipulated, stitched and bound” by the artist in free-standing sculptural pieces that possess a strong material presence and poetic resonance. Greensboro-based artist Harriet Hoover has attended the Penland School of Crafts and studied landscape architecture at The Academy of Fine Arts in Prague. She holds a bachelor’s degree in textile technology and fiber arts focus from NC State University and a MFA from UNC-Greensboro. She currently teaches at NC A & T State University. Recent exhibition venues include LIGHT, Art and Design in Chapel Hill, Art in Odd Places in Greensboro, and the Weatherspoon Art Museum in Greensboro. 

Harriet Hoover, Sporting with an Overturned Cart,

2014, paper, gouache, Sumi ink, 54 x 38 inches©Harriet Hoover, Courtesy Greenhill

Becky Joye’s acrylic and pencil drawings on paper depict imaginary structures resembling farm silos, communication towers, or fairgrounds.  Nostalgic machine-age constructions are depicted with precisionist line.  Ductwork and pylons are often festooned with floating kite-like appendages in bright colors evoking aerial circuses and dreams of flight.  At Greenhill Joye will present a new group of larger drawings on paper inspired by “industrial winding towers and vintage toys” from a recent trip to Germany.  These works on paper will be seen in association with the artist’s machine-sewn fabric collages in vivid patterns and new three-dimensional works. Charlotte native Becky Joye graduated from the UNC-Charlotte with a Bachelor of Architecture in 2003. She is currently a member artist at Artspace in Raleigh after being a Regional Emerging Artist-in-Residence in 2013. She recently was in the exhibition Thought Maps & Ladders with artist Ray at Artspace. Her work has been featured in numerous exhibitions, including The Drawing Show, Pump Project, Austin, TX; a solo exhibition at Designbox, Raleigh;  Unraveled at the Block Gallery  in Raleigh and Contemporary South at the Visual Arts Exchange in Raleigh.  She was a 2014 Artfields finalist, in Lake City, South Carolina.
Leigh Suggs produces painstakingly crafted works involving “the use of singular pattern producing gestures such as weaving, wrapping, stitching, and adhering.” Ink pen line drawings in geometric patterns form polyhedrons and subtle variations in the flow of ink create pulsating effects of light line against a dark ground. In some of Suggs most well-known works, hundreds of petal shaped paper elements of are stitched in concentric circles, overlapping petals varying in opacity and density forming large circular wall constructions.  Seen together Suggs’ works reveal a practice both precise and obsessive, in which light as much as line is enlisted by the artist to produce subtle shifts in reading and evoke organic as well as celestial metaphors. Leigh Suggs is currently an MFA candidate at Virginia Commonwealth University and holds a BFA from the University of North Carolina at Chapel Hill.  Leigh is a recent recipient of the NC Arts Council Fellowship Grant and has shown her work at LIGHT, Art and Design in Chapel Hill, the Weatherspoon Museum, and the Contemporary Art Museum in Raleigh.
Jason Watson is a mixed-media artist, whose work combines interests in the figure, found objects, and text fragments as visual material.  Watson’s drawings and collages are visual assemblages of remnants of our collective cultural past. Starting with historic statues and portrait busts sketched in museums or at historical monuments, his works serve as storybook-like illustrations providing a pictorial space for various cultural artifacts to inhabit. The artist’s interest in the object is pushed to the extreme in new works combining drawing, stitching and assemblage.  Watson has exhibited in galleries, universities and non-profit spaces including in Drawing Revisited at Greenhill in 2010 and Jason Watson: A Second Look, at the Jersey City Museum in 2007-2008.   Watson recently completed an artist residency at the McColl Center for Visual Art in Charlotte, NC where he was the Wesley Mancini Artist in Residence for 2013. 


Associated Programs and Events
·        Public Opening: Friday, September 19 | 5:30-8:30 pm
Between 5:30 – 6:30 pm Greenhill Members are invited to hear Curator Edie Carpenter’s comments in The Gallery.  At 6:30 pm The Gallery opens to the public. Cash Bar and light hors d'oeuvres provided by The Fresh Market.  

·        First Friday: October 3, 6-9 pm: Live music at 6:30 pm by Farewell Friend

·        Artist Talk: Wednesday, October 15, 2014, 5:30 – 7:00 pm
Presentations by Leigh Suggs and Jason Watson where they will discuss the themes, intentions, and material processes employed in their artworks.

·        Artist Talk: Wednesday, October 29, 2014, 5:30 – 7:00 pm
Presentations by Harriet Hoover and Becky Joye where they will discuss the themes, intentions, and material processes employed in their artworks.

·        First Friday: November 7, 6-9 pm, Live music at 6:30 pm the Triangle Improvisation Collective

About Greenhill

The mission of Greenhill is to promote the visual arts of North Carolina by engaging a broad community of artists, adults and children through dynamic exhibitions and educational programs and providing a platform for exploration and investment in art. Greenhill is the only non-collecting organization dedicated to presenting, promoting and advocating for contemporary visual art and artists of NC.  Since its founding in 1974, the organization has presented and sold artwork of over 9,850 visual artists and engaged nearly one million visitors through free access to The Gallery, The Shop & ArtQuest, the award-winning education program for children & families. Greenhill is located in downtown Greensboro in the Greensboro Cultural Center. www.greenhillnc.org"
A Press Release