Hey Y'all, it's the best Blue Ball in the Triad! The Blue Turkey Ball, that is...
The Empire Room in Greensboro plays host to a music event this Friday, the 28th (a.k.a. –“Black Friday”) that's certain to cure those Black Friday blues. The Blue Turkey Ball, a rockin' evening of live blues and southern rock, is put on by the Piedmont Blues Preservation Society. They promise plenty of (non – turkey) edibles, a full bar and music from Rob Massengale, Sophisticated Blues, Blues World Order, and Jody Lee Petty. It all kicks off at 7PM and tickets are $15 in advance, $20 at the door. Call 336 340-6547 for more information. I hope to see you there, ready to shake off those Thanksgiving tail -feathers!
Showing posts with label arts. Show all posts
Showing posts with label arts. Show all posts
A Foxy Eye on the Arts: Andrew Martin Art Exhibit Opens in High Point
Review of a new exhibit at High Point University focusing on the influence of one North Carolina artist on a lineage of notable local painters.
I was fortunate to attend the intriguing and historically significant opening Nov 3rd of the Tribute to Andrew Martin exhibit showing at the Sechrest Gallery at High Point University. Curated by Maxine Campbell, the show features works by Martin as well as UNCG affiliated colleagues influenced by his work; many of whom were former students of Martin. The exhibit includes twenty works on loan from the Weaver Foundation, which was formed in 1967 and is comprised of the works of artists who have studied or taught at UNCG. The show's other paintings are on loan from private collections.
Martin, who was part of the Hansa cooperative in New York City in the 1950s, was intrigued with the endless combinations of light, color and pattern within a painting. His work contained no political statements or underlying messages. Rather, Martin believed that "regardless of its theme or impulse, a painting ultimately is about the nature and possibilities of painting."
The show subtly underscores his painterly motivation by showcasing multiple large-scale views from his backyard, a scene he painted over and over again in all seasons, displayed side-by-side commanding an entire wall of the gallery. Other works of Martin's hang throughout, interspersed with those of former students and colleagues as well as artists who may not have studied with him but whose work is nonetheless informed by his style.
One painter clearly influenced by Martin is Bruce Shores, who has nine pieces in the show. The depth of that influence is plainly revealed with an introduction to Bruce's nine-year-old son, who is prompted to divulge, (with a small sigh and a hint of eye-rolling at grown-up foolishness) for perhaps the hundredth time that night, that his middle name is "Andrew, ... after Andrew Martin".
The exhibit's other artists cover an enjoyable visual range. From the stylistically similar like Shores or Henry Link, to those whose work moves in other directions like the smooth, graceful lines and saturated hues of Richard Fennell's lush still life paintings. The most interesting juxtaposition in the show however, comes with its own story. "Payson-Park Indiantown" by Martin and "Payson Park-Motif One" by Robert Keeny, hang in the show together aptly enough, as they were painted together. Keeny and Martin spent time visiting with one another in Florida, where they would go out for the day and paint, swapping the fruits of their labor at day's end as a remembrance of the time. Keeny's painting was purchased eventually by the Weaver Foundation and upon viewing their collection, Keeny donated his Martin painting of the scene to them as well.
The exhibit runs through January 30th, 2009 and the gallery is open to the public, free of charge, 1-5 p.m. Monday-Thursday and 1-3 p.m. some Saturdays. For more information, contact the gallery at 336-841-4685. After hours, contact Gallery Curator and Director Maxine Campbell at 336-803-1815.
I was fortunate to attend the intriguing and historically significant opening Nov 3rd of the Tribute to Andrew Martin exhibit showing at the Sechrest Gallery at High Point University. Curated by Maxine Campbell, the show features works by Martin as well as UNCG affiliated colleagues influenced by his work; many of whom were former students of Martin. The exhibit includes twenty works on loan from the Weaver Foundation, which was formed in 1967 and is comprised of the works of artists who have studied or taught at UNCG. The show's other paintings are on loan from private collections.
Martin, who was part of the Hansa cooperative in New York City in the 1950s, was intrigued with the endless combinations of light, color and pattern within a painting. His work contained no political statements or underlying messages. Rather, Martin believed that "regardless of its theme or impulse, a painting ultimately is about the nature and possibilities of painting."
The show subtly underscores his painterly motivation by showcasing multiple large-scale views from his backyard, a scene he painted over and over again in all seasons, displayed side-by-side commanding an entire wall of the gallery. Other works of Martin's hang throughout, interspersed with those of former students and colleagues as well as artists who may not have studied with him but whose work is nonetheless informed by his style.
One painter clearly influenced by Martin is Bruce Shores, who has nine pieces in the show. The depth of that influence is plainly revealed with an introduction to Bruce's nine-year-old son, who is prompted to divulge, (with a small sigh and a hint of eye-rolling at grown-up foolishness) for perhaps the hundredth time that night, that his middle name is "Andrew, ... after Andrew Martin".
The exhibit's other artists cover an enjoyable visual range. From the stylistically similar like Shores or Henry Link, to those whose work moves in other directions like the smooth, graceful lines and saturated hues of Richard Fennell's lush still life paintings. The most interesting juxtaposition in the show however, comes with its own story. "Payson-Park Indiantown" by Martin and "Payson Park-Motif One" by Robert Keeny, hang in the show together aptly enough, as they were painted together. Keeny and Martin spent time visiting with one another in Florida, where they would go out for the day and paint, swapping the fruits of their labor at day's end as a remembrance of the time. Keeny's painting was purchased eventually by the Weaver Foundation and upon viewing their collection, Keeny donated his Martin painting of the scene to them as well.
The exhibit runs through January 30th, 2009 and the gallery is open to the public, free of charge, 1-5 p.m. Monday-Thursday and 1-3 p.m. some Saturdays. For more information, contact the gallery at 336-841-4685. After hours, contact Gallery Curator and Director Maxine Campbell at 336-803-1815.
Foxy's Art Picks This Week: Guerilla Girls/Rumi by Candlelight
From ribald comedic pop-culture revelry to reverent reflections on love and humanity, Foxy Moxy says: "Get your tail out there and enjoy the arts this week"!
Hello frisky Triad trend setters. It’s November and the election is behind us at last. I figured redirecting your attention to the entertaining Triad arts scene might be in order. There's just a hint of frost is in the air, so don’t forget to take someone along to keep you warm!
In Winston Salem on Thursday the 13th, you won’t want to miss the outrageous antics of fab, feminist, gorilla-masked avengers, The Guerilla Girls. Heading to the Salem Fine Arts Center at Salem College, these girls use humor, factual accounts and wild visuals to expose sexism, racism and corruption in politics, film, art and pop culture. They have authored several books and created billboards as well! Show begins at 7PM and the cost is free. You can get more information by calling: 336-917-5313, or visiting: www.salem.edu.
A 180-degree turn takes us to my other choice this week, happening on Saturday the 15th at The Sanctuary, 900 16th Street in Greensboro. 2nd Annual Rumi by Candlelight features a recitation of work of the ancient mystic poet Rumi. After eight centuries he remains the most popular poet in the US today. Accompanying reader Adrian Vyner-Brooks, will be original music by Betsy Bevan on piano and Will Ridenour playing the Kora, a type of African harp. Arrive before the scheduled 7:30PM start time for good seats and visit: www.thesanctuarygso.com for more info. A multi-disciplinary and multicultural event you won’t want to miss!
Hello frisky Triad trend setters. It’s November and the election is behind us at last. I figured redirecting your attention to the entertaining Triad arts scene might be in order. There's just a hint of frost is in the air, so don’t forget to take someone along to keep you warm!
In Winston Salem on Thursday the 13th, you won’t want to miss the outrageous antics of fab, feminist, gorilla-masked avengers, The Guerilla Girls. Heading to the Salem Fine Arts Center at Salem College, these girls use humor, factual accounts and wild visuals to expose sexism, racism and corruption in politics, film, art and pop culture. They have authored several books and created billboards as well! Show begins at 7PM and the cost is free. You can get more information by calling: 336-917-5313, or visiting: www.salem.edu.
A 180-degree turn takes us to my other choice this week, happening on Saturday the 15th at The Sanctuary, 900 16th Street in Greensboro. 2nd Annual Rumi by Candlelight features a recitation of work of the ancient mystic poet Rumi. After eight centuries he remains the most popular poet in the US today. Accompanying reader Adrian Vyner-Brooks, will be original music by Betsy Bevan on piano and Will Ridenour playing the Kora, a type of African harp. Arrive before the scheduled 7:30PM start time for good seats and visit: www.thesanctuarygso.com for more info. A multi-disciplinary and multicultural event you won’t want to miss!
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